[news reporter]
Gotti gotti we've been dying to get a hold of you for this interview
You have this new album dropping and everyone just wants to know
What's been going on with you where have you been?

[Yo Gotti]
Well I was kicking down on Watkins on some motherfuckin' hustling shit
Catching my cone tryin to get old listen to that triple 6
Mr. Ian looked at me gotti let go take a trip
I know where they got them beeper 3 for we can get em shipped
See baby the ground is mine niggas try to disrespect
Be poochin' and grab the chopper fuck around and left em' wet
Twenty - fours Yokohama we look like some superstars
No more pop off we play we got TV sterna's in the trunk
Rappin' ain't no fucking thang block burna big biggidy bang
Me and my guys be sellin' them pies since 95' we out the frame
Gotti representing the streets so Swizzo let 'em feel the beef
Try to steal my flow but niggas know they ain't real as me
Back when I was whippin' chickens choppin' bricks in momma kitchen
Never knew that rap shit would establish me a mill ticket
Shinin', grindin' , never mindin' niggas winin' bout a bitch
I'm combining' every line and perfect timing with this shit

[skits]

I'm combining' every line and perfect timing with this shit
(Movin' the zone movin' my throne)
(I&E is the label I consider my home)
I'm combining' every line and perfect timing with this shit
(I&E is the label I consider my home)

[Yo Gotti]
I'm from the north cuzz were I was tought cuzz
Was doin' my own thang never had a boss cuzz
So if you didn't know Gotti still C.E.O
It's block burnin' with yo bro but they don't feel me tho
I represent the M Project Pat and Fly and them
And all the pioneers that put it down for Gotti them
They say I'm new school but Gotti old school
Been having birds fuck what cha' heard I'm just a young dude
I'm just the truth and the realest to come up out the town
Keeping' it Memphis delivering the universal sound
It's fucking going down it ain't no fucking round
The king of Memphis you trippin' give me the fucking crown
It's fucking going down it ain't no fucking round
The king of Memphis you trippin' give me the fucking crown

[skits]

(I&E is the label I consider my home)
I'm combining' every line and perfect timing with this shit
I'm combining' every line and perfect timing with this shit

[talking til end]


Lyrics submitted by VampedVixen

Intro Lyrics as written by Andrew Peter Miller Nigel Richard Clark

Lyrics © BMG Rights Management, Universal Music Publishing Group, O/B/O DistroKid, Sony/ATV Music Publishing LLC, Songtrust Ave

Lyrics powered by LyricFind

Intro song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.