Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Old San Francisco, San Francisco B.C.
I lived with my true love and she lived with me.
"Romance is the douche of the bourgeoisie"
Was the very first thing she imparted to me
We had sarcastic hair, we used lewd pseudonyms
We got a lot of stares on the street back then.
Since her dad, a local barber, had been beaten to death
She had become a vocal martyr in the vegan press
The cops had failed, they couldn't catch a bus
They were looking for a male with a bad hair cut
Enter tumbleweed, exit love and our affaire d'amour
Was set on self-destruct.
She said "you don't make enough to provide for me."
I said "what about the stuff that we quote believe?"
She said "I left that on the sands of history
I've found a new man to take care of me
He dresses for success and emergency
And he moves a lot of concrete on the QVC."
Little, asian, deadly, like a cobra in the shade
Sat in the midst of the smoke that he made
His name was Mr. Games and he owned the place
It was a lonely bar and grill in the Lower Haight
He had a jeweler's hands and a blurry face
He knew I needed a chance so he gave me a break.
"If I hire you now, can you start today?
I got a high-rise job down by the bay.
Just a couple of rocks and some firearms
There's not many locks and just one alarm
My step-son Gene will pick you up and drive
Try to be his friend, he's got a friendly side."
Doll-house lightning and the next thing I knew
We were back at our point of rendezvous.
I was in the possession of burglary tools
Children's fur coats and diamonds and jewels
Gene's talking about insignificant shit
Just like crooks in the movies when they do that bit.
He said the power of metal will never be harnessed.
I thought the wages of metal should be heavily garnished.
We were waiting for his dad to meet us there
Gene took off his hat and I noticed his hair
It was neatly trimmed but a patch was bare
I knew it wasn't New Wave, it was human error.
Before I knew what I said, I said "killer cut."
I watched him silently putting out a cigarette butt.
Then he came at me with some fist cuisine
I had to duck aside and that was bad for Gene
Cause when he went by me he tripped and fell
Through the glass coffee table at the Wong hotel.
Right there and then Mr. Games walked in
With my ex-true love on his gamy limb.
So her dad's killer's dad was her new beau
And Games had a wife, whatta you know?
She got real real quiet till we chucked the kid
Then she went her way and I went his.
Old San Francisco, San Francisco B.C.
I lived with my true love and she lived with me.
"Romance is the douche of the bourgeoisie"
Was the very first thing she imparted to me
We had sarcastic hair, we used lewd pseudonyms
We got a lot of stares on the street back then.
Since her dad, a local barber, had been beaten to death
She had become a vocal martyr in the vegan press
The cops had failed, they couldn't catch a bus
They were looking for a male with a bad hair cut
Enter tumbleweed, exit love and our affaire d'amour
Was set on self-destruct.
She said "you don't make enough to provide for me."
I said "what about the stuff that we quote believe?"
She said "I left that on the sands of history
I've found a new man to take care of me
He dresses for success and emergency
And he moves a lot of concrete on the QVC."
Little, asian, deadly, like a cobra in the shade
Sat in the midst of the smoke that he made
His name was Mr. Games and he owned the place
It was a lonely bar and grill in the Lower Haight
He had a jeweler's hands and a blurry face
He knew I needed a chance so he gave me a break.
"If I hire you now, can you start today?
I got a high-rise job down by the bay.
Just a couple of rocks and some firearms
There's not many locks and just one alarm
My step-son Gene will pick you up and drive
Try to be his friend, he's got a friendly side."
Doll-house lightning and the next thing I knew
We were back at our point of rendezvous.
I was in the possession of burglary tools
Children's fur coats and diamonds and jewels
Gene's talking about insignificant shit
Just like crooks in the movies when they do that bit.
He said the power of metal will never be harnessed.
I thought the wages of metal should be heavily garnished.
We were waiting for his dad to meet us there
Gene took off his hat and I noticed his hair
It was neatly trimmed but a patch was bare
I knew it wasn't New Wave, it was human error.
Before I knew what I said, I said "killer cut."
I watched him silently putting out a cigarette butt.
Then he came at me with some fist cuisine
I had to duck aside and that was bad for Gene
Cause when he went by me he tripped and fell
Through the glass coffee table at the Wong hotel.
Right there and then Mr. Games walked in
With my ex-true love on his gamy limb.
So her dad's killer's dad was her new beau
And Games had a wife, whatta you know?
She got real real quiet till we chucked the kid
Then she went her way and I went his.
Old San Francisco, San Francisco B.C.
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Mountain Song
Jane's Addiction
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Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
One other possible correction.
"I knew it wasn't new wave, it was human error."
So, the bare patch wasn't a new wave thing.