This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Bent again I glimpse a past that I know never was still I see,
reminiscence. Pulsate, breathing, starring through me.
Something I can't recollect speaks my mind, all thou I shun it's
sometimes there. Binding, gazing, intentions seems unknown.
Flashes conceived so bizzare rid them of my mind. Scenery of
filth, eyeless faces, lights of the looming black, abject lash by
lash. Striking my flesh without leaving marks. Scenery of filth,
eyeless faces, lights of the looming black, abject lash by lash.
My presence slowly fades with bitter taste and wings that can not
bear. Lost, I wonder in its reek, it stirs my mind, wreck my being.
The more I deny, it gets all clearer.
Solo: Karlsson
The air is so thick, soggy surroundings, hard to breach, watching
it as through a facet Bewildering clatter, a spectral resonance,
although I can't touch it I feel it all over me.
A spewing shine, I have begotten this appalling view. As it is less
of forms, the rapid shifting of shapres and moulds. Intangible,
scent of the reviled.
The rain of black flakes never seem to hit the pallid soil on which
I'm placed. This trance exhibit of forbidden silhouettes. As
shadows I see them twirling by my side, ever foes of life Chained
and bleeding, locked from fleeing, lash by lash.
Solo: Karlsson
A tranquil mood now seize my sight, odd and calm
it withdraws, all I see is naked walls, My shaking stops. Silence
holds me, motions ebb through me. The rotten ambience is gone
as I wait for the call to wake up Eyes closed, I wither,
the journey back I seek
Flashes conceived so bizzare rid them of my mind. Scenery of
filth, eyeless faces, lights of the looming black, abject lash by
lash. Striking my flesh without leaving marks. Scenery of filth,
eyeless faces, lights of the looming black, abject.
reminiscence. Pulsate, breathing, starring through me.
Something I can't recollect speaks my mind, all thou I shun it's
sometimes there. Binding, gazing, intentions seems unknown.
Flashes conceived so bizzare rid them of my mind. Scenery of
filth, eyeless faces, lights of the looming black, abject lash by
lash. Striking my flesh without leaving marks. Scenery of filth,
eyeless faces, lights of the looming black, abject lash by lash.
My presence slowly fades with bitter taste and wings that can not
bear. Lost, I wonder in its reek, it stirs my mind, wreck my being.
The more I deny, it gets all clearer.
Solo: Karlsson
The air is so thick, soggy surroundings, hard to breach, watching
it as through a facet Bewildering clatter, a spectral resonance,
although I can't touch it I feel it all over me.
A spewing shine, I have begotten this appalling view. As it is less
of forms, the rapid shifting of shapres and moulds. Intangible,
scent of the reviled.
The rain of black flakes never seem to hit the pallid soil on which
I'm placed. This trance exhibit of forbidden silhouettes. As
shadows I see them twirling by my side, ever foes of life Chained
and bleeding, locked from fleeing, lash by lash.
Solo: Karlsson
A tranquil mood now seize my sight, odd and calm
it withdraws, all I see is naked walls, My shaking stops. Silence
holds me, motions ebb through me. The rotten ambience is gone
as I wait for the call to wake up Eyes closed, I wither,
the journey back I seek
Flashes conceived so bizzare rid them of my mind. Scenery of
filth, eyeless faces, lights of the looming black, abject lash by
lash. Striking my flesh without leaving marks. Scenery of filth,
eyeless faces, lights of the looming black, abject.
Lyrics submitted by DreamingInTheÆther
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Jane's Addiction
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
Their best song in my opinion! I love the refrain, it makes you wanna growl your lungs out.
As for the meaning... maybe it's about a nightmare that just won't stop and you can't wake up... or maybe it's about getting crazy.