Open the doors, let the people in
Turn up the mics, let me speak to them
Victorious when the evening ends
It all starts when the beat begins

You're now fuckin with the show stopper
A-l-i the Brother, since "'89's the number"
Fuck "another summer," I'm the world's most accurate
Take the roughest cats and get em passionate
Shake awake the walking dead Lazarus
With off-the-head narratives, it'm embarrassing
I mean, I'm the albino but y'all pale in comparison
I'm not arrogant, oh shit, well yeah, I'm arrogant
Grab the microphone out your arm so fast I tear a limb
Roman fashion, give yo soul a spasm
If you don't know find someone that knows and ask him
I'm right in front of ya, tight muthafuckin mic muzzler
Who might struggle ya, my shit's wild like that
There's 8 million ways to stretch words around beats
And 6 million rappers be sharin the same three
But me takin the time to be creative with mine
Touch your soul till I see it in your face when I rhyme
And in the two or three seconds it may take to rewind
I hold a rapper to the flames until I make him resign
Want nobody hold your place in this rhyme, you find a space to recline
You're dead, got to stay breakin your spine

Every father, mother, son and daughter send em to me
Do not approach the ock without bendin your knees
I might be on the stage but my head's in the streets
We settle the beef (when the beats commence)

Ladies and gentlemen, Brother Ali bare the resemblance
Of Moses freein y'all with sentences, vocabulary venomous
Telling domestic horror stories
Non-fiction with the majestic oratory
Instead of concentratin on strippin the youth naked
I give em the truth naked, livin proof for the sacred
Unless I'm mistaken there's like three kind of people
Black people and white people and my people
I blister MC's and twist the debris
I got a funny knack for bringin kids to their knees
y'all got Christopher Reeve-sized bravery tryin to play with me
Have you in fetal positions shoutin "Get away from me!"
Every day I see rappers I want to slap or strangle
Around they neck disaster dangles, so that's the angle
Next millennium, same percentage of em are weak
y'all thinkin y'all can rhyme, don't even come from the streets
You got any sense at all, you mean-mug and retreat
Or end up a human pinada hung from your feet
When I told you you were tight I had my tongue in my cheek
And you ain't lookin at my team, buddy, our huddle is deep
Born to hustle on beats, I just have it within
If I had any more potential I would have to be twins
Cackle and grin when rappers begin to babble and spin away
y'all should pick a day, the it-day, the off-the-ick day

I'm a desperado, but I guess that y'all know that already
My stick-and-move flow pattern steady
The Bro has already dissed rappers of every race
Got em together for a "We Are the World" remake
If Ali's fake please take this opportunity to tell he
To his face, get your infrastructure erased
When I flip damn it I'm fly, kick sand in your eye
And tell your record company to eat a shit sandwich and die
Ali's a big teddybear
Till they scream, "Stop slammin the car door, that's my fuckin head in there!"
Your teeth are everywhere, I serve your family
And write about it in my journal like I'm Mister Belvedere
I seldom stare in the sky, only at nighttime
Envision endin your mission when I write rhymes
History's never witnessed a mission quite like mine
And the more they try to extinguish it, the more the light shines


Lyrics submitted by acidmaniac

When the Beat Comes In Lyrics as written by Anthony Jerome Davis Ali Douglas Newman

Lyrics © NAFSIN WAHEEDAH MUSIC, ANT TURN THAT SNARE DOWN

Lyrics powered by LyricFind

When The Beat Comes In song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Light Up The Sky
Van Halen
The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Album art
Holiday
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday". I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.