The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
One of those fucking, awful black days
When nothing is pleasing and everything that happens
Is an excuse for anger
An outlet for emotions stockpiled, an arsenal, an armor
These are the days when I hate the world
Hate the rich, hate the happy
Hate the complacent, the TV watchers
Beer drinkers, the satisfied ones
Because I know I can be all of those little hateful things
And then I hate myself for realizing that
There's no preventative, directive or safe approach for living
We each know our own fate
We know from our youth, how to be treated
How we'll be received, how we shall end
These things don't change
You can change your clothes
Change your hairstyle, your friends, cities, continents
But sooner or later your own self will always catch up
Always it waits in the wings
Ideas swirl but don't stick
They appear but then run off like the rain on the windshield
One of those rainy day car rides, my head implodes
The atmosphere in this car, a mirror of my skull
Wet, damp, windows dripping and misted with cold
Walls of grey, nothing good on the radio, not a thought in my head
I know a place we can go and I'm falling
Love so hard that you wish you were ten
Lets take life and slow it down incredibly slow
Frame by frame
With two minutes that take ten years to live out
Yeah, let's do that
Telephone poles like praying mantis against the sky
Metal arms outstretched
So much land traveled, so little sense made of it
It doesn't mean a thing, all this land laid out behind us
I'd like to take off into these woods and get good and lost for a while
I'm disgusted with petty concerns
Parking tickets, breakfast specials
Does someone just have to carry this weight?
Abstract typography, methane covenant
Linear gospel, Nashville sales lady, stocky emissary
Torturous lice, mad Elizabeth
Chemotherapy bullshit
I know a place we can go and I'm falling
The light within you shines like a diamond mine
Like an unarmed walrus, like a dead man face down on the highway
Like a skunk, eating it's own tail
Steam turbine, frog farm
Two full closets burst open in disarray, soap bubbles in the sun
Hospital death bed, red convertible, shopping list, blow job
Deaths head, devils dancing, bleached white buildings, memories
Movements, the movie, unfeeling, unreeling, about to begin
I know a place we can go and I'm falling
Love so hard that you wish you were ten
I've seen your hallway, you're a darn call away
I've hear your stairs creak, I can fix my mind on your yes
And your no, I'll film your face today in the sparkling canals
All red, yellow, blue, green brilliance and silver Dutch reflection
Racing thoughts, racing thoughts, all too real
You're moving so fast now, I can't hold your image
This image I have of your face by the window
Me standing beside you, arm on your shoulder
A catalog of images, flashing glimpses then gone again
Untethered to the posters soak in me, every clear afternoon now
I'll think of you, up in the air, twisting your heel
Your knees up around me, my face in your hair
You scream so well, your smile so loud, it still rings in my ears
I know a place we can go and I'm falling
Love so hard that you wish you were ten
Imitation, distant, tired of longing, clean my teeth
Stay the course, hold the wheel, steer on to freedom
Open all the boxes, open all the boxes
Open all the boxes, open all the boxes
Times Square Midday, newspaper buildings
News headlines going around, you watch as they go
And hope there's some good ones, those tree shadows in the park
They're all whispering, shake some leaves
Around six p.m., shadows across the cobblestones
Girl in front of bathroom mirror, she slow and careful
Paints her face green and mask like
Like my cheese, portrait with green stripe
Long shot through apartment window
A monologue on top but no girl in shot
The light within me shines like a diamond mine
Like an unarmed walrus
Like a dead man face down on the highway
Like a snake eating its own tail
A steam turbine, frog pond
Two full closets burst open in disarray, soap bubbles in the sun
Hospital death bed, red convertible, shopping list, blow job
Deaths head, devils dancing, bleached white buildings, memories
Movements, the movie, unreeling, about to begin
Oh, great by me
Yeah? Mine were alright, wasn't my best one but who cares?
That's the spirit
When nothing is pleasing and everything that happens
Is an excuse for anger
An outlet for emotions stockpiled, an arsenal, an armor
These are the days when I hate the world
Hate the rich, hate the happy
Hate the complacent, the TV watchers
Beer drinkers, the satisfied ones
Because I know I can be all of those little hateful things
And then I hate myself for realizing that
There's no preventative, directive or safe approach for living
We each know our own fate
We know from our youth, how to be treated
How we'll be received, how we shall end
These things don't change
You can change your clothes
Change your hairstyle, your friends, cities, continents
But sooner or later your own self will always catch up
Always it waits in the wings
Ideas swirl but don't stick
They appear but then run off like the rain on the windshield
One of those rainy day car rides, my head implodes
The atmosphere in this car, a mirror of my skull
Wet, damp, windows dripping and misted with cold
Walls of grey, nothing good on the radio, not a thought in my head
I know a place we can go and I'm falling
Love so hard that you wish you were ten
Lets take life and slow it down incredibly slow
Frame by frame
With two minutes that take ten years to live out
Yeah, let's do that
Telephone poles like praying mantis against the sky
Metal arms outstretched
So much land traveled, so little sense made of it
It doesn't mean a thing, all this land laid out behind us
I'd like to take off into these woods and get good and lost for a while
I'm disgusted with petty concerns
Parking tickets, breakfast specials
Does someone just have to carry this weight?
Abstract typography, methane covenant
Linear gospel, Nashville sales lady, stocky emissary
Torturous lice, mad Elizabeth
Chemotherapy bullshit
I know a place we can go and I'm falling
The light within you shines like a diamond mine
Like an unarmed walrus, like a dead man face down on the highway
Like a skunk, eating it's own tail
Steam turbine, frog farm
Two full closets burst open in disarray, soap bubbles in the sun
Hospital death bed, red convertible, shopping list, blow job
Deaths head, devils dancing, bleached white buildings, memories
Movements, the movie, unfeeling, unreeling, about to begin
I know a place we can go and I'm falling
Love so hard that you wish you were ten
I've seen your hallway, you're a darn call away
I've hear your stairs creak, I can fix my mind on your yes
And your no, I'll film your face today in the sparkling canals
All red, yellow, blue, green brilliance and silver Dutch reflection
Racing thoughts, racing thoughts, all too real
You're moving so fast now, I can't hold your image
This image I have of your face by the window
Me standing beside you, arm on your shoulder
A catalog of images, flashing glimpses then gone again
Untethered to the posters soak in me, every clear afternoon now
I'll think of you, up in the air, twisting your heel
Your knees up around me, my face in your hair
You scream so well, your smile so loud, it still rings in my ears
I know a place we can go and I'm falling
Love so hard that you wish you were ten
Imitation, distant, tired of longing, clean my teeth
Stay the course, hold the wheel, steer on to freedom
Open all the boxes, open all the boxes
Open all the boxes, open all the boxes
Times Square Midday, newspaper buildings
News headlines going around, you watch as they go
And hope there's some good ones, those tree shadows in the park
They're all whispering, shake some leaves
Around six p.m., shadows across the cobblestones
Girl in front of bathroom mirror, she slow and careful
Paints her face green and mask like
Like my cheese, portrait with green stripe
Long shot through apartment window
A monologue on top but no girl in shot
The light within me shines like a diamond mine
Like an unarmed walrus
Like a dead man face down on the highway
Like a snake eating its own tail
A steam turbine, frog pond
Two full closets burst open in disarray, soap bubbles in the sun
Hospital death bed, red convertible, shopping list, blow job
Deaths head, devils dancing, bleached white buildings, memories
Movements, the movie, unreeling, about to begin
Oh, great by me
Yeah? Mine were alright, wasn't my best one but who cares?
That's the spirit
Lyrics submitted by PapaSlurp, edited by TheBowser, carsonalso, Carbonated Dan, Starkey
Be Safe Lyrics as written by Lee Ranaldo Gary John Jarman
Lyrics © BMG Rights Management
Lyrics powered by LyricFind
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More Featured Meanings
Light Up The Sky
Van Halen
Van Halen
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
i used to always skip this song when listening to the album
then i went to see them play at Leeds festival, and they played this, and i was so bloody amazed, they played the guys monologue on the big screen and everyone in the crowd just stood in awe at them. then when the chorus kicked in....thousands of people shouting "I know a place we can go where you'll fall in love so hard that you'll wish you were dead"
man moments like that stick with you
@freakystyley "The guy" is Lee Ranaldo from Sonic Youth