This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Running in and out of breath
Staining skin and teeth to red
Incessant slamming and that tone
God forbid I spend one night alone
Out to the parking lot
Stumbling towards my apartment
Pressed you close against the screen door,
Close enough to feel underneath your clothes
You overcompensate for your own inexperience
Don't underestimate, oh, my fear of getting caught
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
On the second story of your suburban home
Mom's asleep just two doors down
Funny how when stuck at sea
Things are never the way they seem
Clouds take the shape of gloves
Reaching over the flames at dusk
Missing clips in your consciousness
Just act as if I don't exist
You overcompensate for your own inexperience
Don't underestimate, oh, my fear of getting caught
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
Felt the repetition of my ways
The lack of apprehension that once saved
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
I keep burning my fingers
In attempt to rekindle the flame
The matches, so flimsy
And the wind just denies her name
So I pulled out the garments that were pressed between us
On that dreamless evening you refer to in disgust
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
(Felt the repetition of my ways
The lack of apprehension that once saved)
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
Staining skin and teeth to red
Incessant slamming and that tone
God forbid I spend one night alone
Out to the parking lot
Stumbling towards my apartment
Pressed you close against the screen door,
Close enough to feel underneath your clothes
You overcompensate for your own inexperience
Don't underestimate, oh, my fear of getting caught
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
On the second story of your suburban home
Mom's asleep just two doors down
Funny how when stuck at sea
Things are never the way they seem
Clouds take the shape of gloves
Reaching over the flames at dusk
Missing clips in your consciousness
Just act as if I don't exist
You overcompensate for your own inexperience
Don't underestimate, oh, my fear of getting caught
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
Felt the repetition of my ways
The lack of apprehension that once saved
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
I keep burning my fingers
In attempt to rekindle the flame
The matches, so flimsy
And the wind just denies her name
So I pulled out the garments that were pressed between us
On that dreamless evening you refer to in disgust
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
(Felt the repetition of my ways
The lack of apprehension that once saved)
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
So many words, so many words
So many you can't believe
So many words, so many words
So many stuck at sea
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The Night We Met
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Punchline
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Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
haha in AP, Jarrod admits that he "thinks it sucks"
"Everyone likes it, so fuck it. I think it sucks, but you know, it's all about what they think."
And actually, I like it. I think it's about being stuck somewhere, and not knowing where to go and how to get yourself out.