The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
If only you could hear the beat, beat, beat
Of my beating heart
Then maybe we, we, we
Would never be apart
It's a beautiful sky on a beautiful day
But only you can stretch a smile across my face
So I'm waiting, waiting, waiting
For you to be calling, calling, calling
Cause its another drive
Another day on the road
And honey I don't have the strength for another show, no
And I got it almost figured out
If I could get you closer to me
'cause it's a good life for a short time
(whoa oh, whoa oh)
And you've got me almost figured out
There's almost nothing left to see
You're bringing out the best in me
You're bringing out the best in me
And it's a long way back to the golden state
Where the city's held in by a golden gate
Like a giant jar full of fireflies
The yellow lights blinking on the mountainside
And I wish I had a plane or a cable car
'cause all I really want is to be in your arms
And I got it almost figured out
If I could get you closer to me
'cause it's a good life for a short time
And you've got me almost figured out
There's almost nothing left to see
You're bringing out the best in me
You're bringing out the best in me
whoa oh oh oh oh
Oh oh oh oh oh oh..
Oh oh oh oh oh oh..
Oh oh oh oh oh oh..
(x4)
And I've got it almost figured out
If I could get you closer to me
'cause it's a good life for a short time
And you've got me almost figured out
(you've got me almost figured out)
You're bringing out the best in me
You're bringing out the best in me...
You're bringing out the best in me...
whoa oh oh oh oh
Oh oh oh oh oh oh..
(x2)
you're bringing out the best in me...
(you've got me almost figured out..)
You're bringing out the best in me...
(you've got me almost figured out..)
Of my beating heart
Then maybe we, we, we
Would never be apart
It's a beautiful sky on a beautiful day
But only you can stretch a smile across my face
So I'm waiting, waiting, waiting
For you to be calling, calling, calling
Cause its another drive
Another day on the road
And honey I don't have the strength for another show, no
And I got it almost figured out
If I could get you closer to me
'cause it's a good life for a short time
(whoa oh, whoa oh)
And you've got me almost figured out
There's almost nothing left to see
You're bringing out the best in me
You're bringing out the best in me
And it's a long way back to the golden state
Where the city's held in by a golden gate
Like a giant jar full of fireflies
The yellow lights blinking on the mountainside
And I wish I had a plane or a cable car
'cause all I really want is to be in your arms
And I got it almost figured out
If I could get you closer to me
'cause it's a good life for a short time
And you've got me almost figured out
There's almost nothing left to see
You're bringing out the best in me
You're bringing out the best in me
whoa oh oh oh oh
Oh oh oh oh oh oh..
Oh oh oh oh oh oh..
Oh oh oh oh oh oh..
(x4)
And I've got it almost figured out
If I could get you closer to me
'cause it's a good life for a short time
And you've got me almost figured out
(you've got me almost figured out)
You're bringing out the best in me
You're bringing out the best in me...
You're bringing out the best in me...
whoa oh oh oh oh
Oh oh oh oh oh oh..
(x2)
you're bringing out the best in me...
(you've got me almost figured out..)
You're bringing out the best in me...
(you've got me almost figured out..)
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Fortnight
Taylor Swift
Taylor Swift
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
their relationship would be perfect if only he wasn't so far apart from her.
but he does still loves her, even though they're not always together.