Frozen into coats
White girls of the north
Filed past one, five and one
They are the fabled lambs
A Sunday ham
The ancient snow

And they could float above the grass
In circles if they tried
A latent power I'm known to hide
To keep some hope alive
That a girl like I could ever try
Could ever try

So we just skirt the hallway signs
A phantom and a fly
Follow the lines and wonder why
There's no connection
And weakened falling eyes
In cheap shots from the tribe
And we're off to Nemarca' porch again

Another afternoon
Of the goat-head tunes and pilfered booze
We wander through her Momma's house
The milk from the window lights
Family portrait, circa '95

This is that foreign land
With the sprayed-on tans
And it all feels fine
Be it silk or slime

So, when they tap our Monday heads
Two zombies walk in our stead
This town seems hardly worth our time
And we'll no longer memorize or rhyme
Too far along in our crime
Stepping over what now towers to the sky
With no connection

So, when they tap our Sunday heads
Two zombie walk in our stead
This town seems hardly worth the time
And we'll no longer memorize or rhyme
Too far along in our crime
Stepping over what now towers to the sky
With no connection


Lyrics submitted by heyheyhey111, edited by Gryphoning, augustgw, DumbBunnies

Phantom Limb Lyrics as written by James Mercer

Lyrics © Universal Music Publishing Group

Lyrics powered by LyricFind

Phantom Limb song meanings
Add Your Thoughts

156 Comments

sort form View by:
  • +7
    General Comment

    [ This poem is about two school girls overcoming rejection and indifference in the small town in which they live. They go along with the flow, but in their minds they rise above the people around them and will soon leave the town behind. James Mercer has stated it to be about his own personal experience of exclusion retold through the plight of two lesbians, but of course, there is nothing in the poem to limit it to that particular case. ]

    Foals in winter coats, [ young girls trying to insulate themselves from the harsh numbness of the people around them ] White girls of the north, [ in some New England town ] File past one, five, and one [ lonely individuals, or small cliques, but no meaningful friendships ] They are the fabled lambs, [ sacrifices ] Of Sunday ham, [ of the church tradition ] The EHS norm. [ and the high school order ]

    And they could float above the grass, In circles if they tried, [ they have great potential in their abilities far beyond the ordinary people around them ] A latent power I know they hide, [ to keep from being different ] To keep some hope alive, That a girl like I could ever try, Could ever try. [ but this power still gives them hope to reach beyond the limitations of their town ]

    So we just skirt the hallway sides, [ they accept they have no place with the rest ] A phantom and a fly, [ one friend is invisible, the other, insignificant ] Follow the lines and wonder why [ comply with the set social order ] There's no connection. [ but question it's lack of humanity ]

    A week of rolling eyes, And cheap shots from the tribe, [ small-minded and petty rejection by their peers ]

    And we're off to Nemarca's porch again, Another afternoon with the Goat Head tunes, And pilfered booze. [ meet up with a friend, listen to Rolling Stones, and drink alcohol; this means (1) there is no acting as parent to stop them (2) the parent probably uses alcohol as a refuse, both reinforce that Nemarca doesn't get love and support from home, and so she is a natural friend for the other two rejects ]

    We wandered through her mama's house, [ the father has left or died ] The milk from the window lights, [ lonely, unkept house ] Family portrait circa '95, [ back when the family used to be whole ] This is that foreign land, [ foreign because they aren't accepted by the natives ] With the sprayed-on tans, [ fake conformity to society's standards ] And it all feels fine, Be it silk or slime, [ but everything gives the appearance of being ok, whether it is or isn't ]

    So, when they tap our Monday heads, [ when the girls have to go back to school ] Two zombies walk in our stead, [ they follow the motions, but don't really accept any of it ] This town seems hardly worth the time, [ they don't value the people who don't value them ] And we'll no longer memorize or rhyme, [ they no longer accept what they're taught ] Too far along in our climb, [ either they're too far beyond the town in their personal growth to accept the old beliefs, or they are looking at how they will soon finish school and be free to go live better lives ] Stepping over what now towers to the sky, [ soon they will overcome the school/town/limitations ] With no connection.

    So, when they tap our Sunday heads, [ they make the same commentary about the religious aspect of the town ] Two zombies walk in our stead, This town seems hardly worth our time, And we'll no longer memorize or rhyme, Too far along in our climb, Stepping over what now towers to the sky, With no connection.

    sackofcatfoodon June 04, 2007   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.