New music
New listening
Not an attempt to understand something
That is said
For if something were being said
The sounds would be given the shapes of words
Just an attention to the activity of sound
New means change the method
New means change the experience
And new experiences change man
Whenever we hear sounds we are changed
We are no longer the same
After hearing certain sounds
And this is more the case
When we hear organized sounds
Sounds organized by another human being
Music
Our entire system of values
Of the things we accept to be true
Is based on the visual sounds
You have to sign a paper because your word is not enough to be trusted
As a result the acoustic faculty in human beings has declined
As it has become possible to define a continuum between sounds and noises
Completely new problems have come up when we compose or play intuitively
Because we have no training whatsoever in balancing tones and noises
Traditionally in western music
Noises have been taboo
And there are precise reasons for this
It has become from began from the time when staff notations were introduced
Traditionally in western music
Noises have been taboo
And there are precise reasons for this
It began from the time when staff notations were introduced
And music could be noted in precise intervals for the first time
Then it was mainly vocal music
Some predominantly with vowels rather than consonants
If I sing a melody of consonants now, people would say it isn't music
We have no tradition of music composed in these sounds
And no notation for it
There you see how narrow our concept of music is
From having excluded consonants the noises
Of course you find consonants in vocals music
But only in order to make a word comprehensible
That's the function of a consonant in our daily language
To clarify the meaning
But in a musical sense
Consonants have no function other than as accents
S s or t or k
To start or end sound clearly
I respond to sounds directly
Sound is my air
Whenever I deal with sounds they organize themselves, so to speak
They respond very well to me
And I to them


Lyrics submitted by saocore

There Can Be No Dispute That Monsters Live Among Us Lyrics as written by Christopher Tyler Tsagakis Anthony Patrick Green

Lyrics © Kobalt Music Publishing Ltd.

Lyrics powered by LyricFind

There Can Be No Dispute That Monsters Live Among Us song meanings
Add Your Thoughts

36 Comments

sort form View by:
  • 0
    General Comment

    No seriously this song fuckin sucks. Whenever I'm listening to this album and I hear "Neeeww musiiic.." I just pretty much skip the track.

    CharCoal69on June 03, 2006   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Step
Ministry
Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.
Album art
Fortnight
Taylor Swift
The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
Cajun Girl
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve. The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future. Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere" The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."