This is about bronies. They communicate by stomping.
Some of us get a little
And some a lot
We've got to make due
With what ever we got
We get it hot we cool it down
And then we pass it around
You can dance
For the sake of a golden day
Take a chance on getting rid
Of whatever's in your way
Next stop big hop
It's turning night into day
Sometimes when
I'm lying there all alone
I think of every little nothing
That we could own
To overthrow all of you
Who have overgrown
All my friends
Like to spend
Days on end
On the mend
I turn to you
I turn into
And then I turn it again
Here we go
All we know
Heavy load
Start to float
Without a doubt
We turn it out
And then we turn it again, woo
I've come to learn
Whatever time I can find to spend
Taking flight into
Whatever light we bend
Out on the street
I get a beat and then
I turn it to ten
Lace boots and the
Ladies of Kazakhstan
Kick 'em high to the sky
All of this just because we can
I turn to Cuba
Then Aruba then the Dominican
All my friends
Like to spend
Days on end
On the mend
I turn to you
I turn into
And then I turn it again
Here we go (two things I want to say now)
All we know
Heavy load (you make it all okay now)
Start to float
Without a doubt (I need to know that you are there)
We turn it out
And then we turn it again
We've got to move it
If we want to do our best
We've got to shake it
If we want to keep it fresh
I'm turning down
All the heavy psychology
To cut a rug
And I make no apology
I turn a cheek
I turn a key
And then I turn it for free
We've got to move it
Just a little to hit the spot
A whirling dervish in a flurry
A fox to trot
Come clown around
A robot
Doin' the astronaut
All my friends
Like to spend
Days on end
On the mend
I turn to you
I turn into
And then I turn it again
Here we go (two things I want to say now)
All we know
Heavy load (you make it all okay now)
Start to float
Without a doubt (I need to know that you are there)
We turn it out
And then we turn it again
And some a lot
We've got to make due
With what ever we got
We get it hot we cool it down
And then we pass it around
You can dance
For the sake of a golden day
Take a chance on getting rid
Of whatever's in your way
Next stop big hop
It's turning night into day
Sometimes when
I'm lying there all alone
I think of every little nothing
That we could own
To overthrow all of you
Who have overgrown
All my friends
Like to spend
Days on end
On the mend
I turn to you
I turn into
And then I turn it again
Here we go
All we know
Heavy load
Start to float
Without a doubt
We turn it out
And then we turn it again, woo
I've come to learn
Whatever time I can find to spend
Taking flight into
Whatever light we bend
Out on the street
I get a beat and then
I turn it to ten
Lace boots and the
Ladies of Kazakhstan
Kick 'em high to the sky
All of this just because we can
I turn to Cuba
Then Aruba then the Dominican
All my friends
Like to spend
Days on end
On the mend
I turn to you
I turn into
And then I turn it again
Here we go (two things I want to say now)
All we know
Heavy load (you make it all okay now)
Start to float
Without a doubt (I need to know that you are there)
We turn it out
And then we turn it again
We've got to move it
If we want to do our best
We've got to shake it
If we want to keep it fresh
I'm turning down
All the heavy psychology
To cut a rug
And I make no apology
I turn a cheek
I turn a key
And then I turn it for free
We've got to move it
Just a little to hit the spot
A whirling dervish in a flurry
A fox to trot
Come clown around
A robot
Doin' the astronaut
All my friends
Like to spend
Days on end
On the mend
I turn to you
I turn into
And then I turn it again
Here we go (two things I want to say now)
All we know
Heavy load (you make it all okay now)
Start to float
Without a doubt (I need to know that you are there)
We turn it out
And then we turn it again
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Bron-Y-Aur Stomp
Led Zeppelin
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Hayalperest
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This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
this is my favourite song by chilis ever. as for the meaning... it seems to me to be about every individual person on the quest for power, with its ups and downs everyone fails then succeeds and thats the way it is, and the chilis say thats ok and they dont give a shit, so they write a song about it.