This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
I picked you out
Of a crowd and talked to you
Said I liked your shoes
You said "Thanks can I follow you?"
Now it's up the stairs
And out of view, no prying eyes
I poured some wine
When I asked your name,
You asked the time
Now it's 2 o'clock
The club is closed
We're up the block
Your hands on me,
Pressing hard against your jeans
Your tongue in my mouth
Tryin to keep the words from comin out
You didn't care to know
Who else may have been here before
I want a lover I don't have to love
I want a boy who's so drunk he doesn't talk
Where's the kid with the chemicals?
I thought I'd meet him here
But I'm not sure
I got the money if you got the time
You said it feels good
I said, "I'll give it a try"
Then my mind went dark
We both forgot where your car was parked
So let's take the train
I'll meet up with the band in the morning
Bad actors, with bad habits
Some sad singers
They just play tragic
And the phone's ringin'
And the band's leavin'
Let's just keep touching
Let's just, keep on singing
I want a lover I don't have to love
I want a boy who's so drunk he doesn't talk
Yea, where's the kid with the chemicals?
I got a hunger and I can't seem to get full
I need a meaning I can memorize
The kind I have always seems to slip my mind
But you
You write such pretty words
But life's no story book
Love's an excuse to get hurt
And to hurt
Do you like to hurt?
I do, I do
Then hurt me
Then hurt me
Didn't hurt me
It didn't hurt me
It didn't hurt me
It didn't hurt me
It didn't hurt me
Of a crowd and talked to you
Said I liked your shoes
You said "Thanks can I follow you?"
Now it's up the stairs
And out of view, no prying eyes
I poured some wine
When I asked your name,
You asked the time
Now it's 2 o'clock
The club is closed
We're up the block
Your hands on me,
Pressing hard against your jeans
Your tongue in my mouth
Tryin to keep the words from comin out
You didn't care to know
Who else may have been here before
I want a lover I don't have to love
I want a boy who's so drunk he doesn't talk
Where's the kid with the chemicals?
I thought I'd meet him here
But I'm not sure
I got the money if you got the time
You said it feels good
I said, "I'll give it a try"
Then my mind went dark
We both forgot where your car was parked
So let's take the train
I'll meet up with the band in the morning
Bad actors, with bad habits
Some sad singers
They just play tragic
And the phone's ringin'
And the band's leavin'
Let's just keep touching
Let's just, keep on singing
I want a lover I don't have to love
I want a boy who's so drunk he doesn't talk
Yea, where's the kid with the chemicals?
I got a hunger and I can't seem to get full
I need a meaning I can memorize
The kind I have always seems to slip my mind
But you
You write such pretty words
But life's no story book
Love's an excuse to get hurt
And to hurt
Do you like to hurt?
I do, I do
Then hurt me
Then hurt me
Didn't hurt me
It didn't hurt me
It didn't hurt me
It didn't hurt me
It didn't hurt me
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The Night We Met
Lord Huron
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Ebba Grön
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This is one of my favorite songs. https://fnfgo.io
Cajun Girl
Little Feat
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I personally like it much more when its sung by Conor. I liked the Bright Eyes version much more, then again, I'm a hardcore Bright Eyes fan. And she doesn't sing the exact lryics and tune, witch annoyed me at first, it grew on me a bit. I like this version too, I like the female voice, it gives a different yet still kinda satisfying feel to it. But I'm still with loving Bright Eyes!