I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Tadpole buoyant as basalt
The seahorse horsing in assault
The owlet in his greenery
The narwhal in his cup of sea
They all believe
They all believe
But collusion bleeds through back alleys
From parapets that end on feet
When one is weak they discretely meet
They throw the bones into the street
And they progress
And we retreat
And all the books our fathers wrote
Are in the middle of the road
Little by little, we implode
History brittle, brown and broke
We can't remember what was spoke
So we stare in wonder at the smoke
What it begets is born alone
We know not now what we have known
Ladies, breathe deep against your whalebones
For your children come home made of stone
The terror seething sees a way
Or like the wheezing of the bay
In miniature agonies
They travel westward on the breeze
Bring us all to our knees
The dappled horse, the sorrel mare
With eyes that do not see but stare
Beneath boots as black as malachite
He drives the nag into the night
Into the night
And all the baby boys we've born
With eyes averted from the storm
Sent off to die in perfect form
We know not now what we have known
Satellite photos, rhetoric
See how the euphemisms stick
And when they come back broke and burned
Those who return have no return
The seahorse horsing in assault
The owlet in his greenery
The narwhal in his cup of sea
They all believe
They all believe
But collusion bleeds through back alleys
From parapets that end on feet
When one is weak they discretely meet
They throw the bones into the street
And they progress
And we retreat
And all the books our fathers wrote
Are in the middle of the road
Little by little, we implode
History brittle, brown and broke
We can't remember what was spoke
So we stare in wonder at the smoke
What it begets is born alone
We know not now what we have known
Ladies, breathe deep against your whalebones
For your children come home made of stone
The terror seething sees a way
Or like the wheezing of the bay
In miniature agonies
They travel westward on the breeze
Bring us all to our knees
The dappled horse, the sorrel mare
With eyes that do not see but stare
Beneath boots as black as malachite
He drives the nag into the night
Into the night
And all the baby boys we've born
With eyes averted from the storm
Sent off to die in perfect form
We know not now what we have known
Satellite photos, rhetoric
See how the euphemisms stick
And when they come back broke and burned
Those who return have no return
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Dreamwalker
Silent Planet
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Mountain Song
Jane's Addiction
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Amazing
Ed Sheeran
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
Oh... I once thought it was about people being sent off to the army...
"Ladies, breathe deep against your whalebones For your children come home made of stone"
Aside from the interesting fun fact that she uses whalebones in "Colleen" as well... I think this could be about how they come back made of stone as in... their hearts hardened by what they experienced, and how that must be hard for the mothers.
"And all the baby boys we've born With eyes averted from the storm Sent off to die in perfect form We know now what we have known"
Could be something like... the baby boys that they raised so safely, trying to shield them from the tough world outside, are now sent off to fight in the war and possibly die (in perfect form, because they would have to be fit). By the way, this should also be "we know not now what we have known", but I'm not sure what she means. I have some thoughts, but I don't wanna speak them because I'm too unsure.
"And when they come back broke and burned Those who return have no return"
I always heard "those who return have not returned", to be honest, and thought that was meant to say how they had changed, so they're different people now and have thus in a way not returned. If it is "Those who return have no return", that could mean something like how they can't erase their experiences to go back to the person they were before.
It feels to me like there might be some images of the war itself in the rest of the song, but I'm not too good at figuring out imagery like that :( and I dunno what the malachite would be, either.