This is about bronies. They communicate by stomping.
Stepchild, you have outlived your time
You represent embarrassment and failure
And the father who must be killed
Is the blight upon your blighted life
And his might is his legal right
To ground you down
Stepchild, with every petty swipe
You just might find you're fighting for your life
And the father who must be killed
Is a step farther but nonetheless
The way he chews his food
Rips right through your senses
Stepchild, there's a knife in a drawer in a room downstairs
And you, you know what you must do
So the stepchild ran with a knife to his sleeping frame
And slams it in his arms, his legs, his face, his neck and says
There's a law against me now
And the father who must be killed
With his dying breath, he grabs her hand
And he looks into her eyes
He says "I'm sorry" and he dies
Stepchild, I release you
With this broken voice I beseech you
Why are lives so short?
The stepchild thought half pointing to the sky
No one to warn me
No hand to touch me
And no Bible-belters to mess with me
Mama don't miss me
Mama don't miss me
This death will complete me
"But where I go there will be no one to meet me
I know there will be no one to meet me"
But still the step-child press the knife to her throat
Half pointing to the sky
Just as mother-less birds fly high
Then so shall I
So shall I
So shall I
So shall I
So shall I
You represent embarrassment and failure
And the father who must be killed
Is the blight upon your blighted life
And his might is his legal right
To ground you down
Stepchild, with every petty swipe
You just might find you're fighting for your life
And the father who must be killed
Is a step farther but nonetheless
The way he chews his food
Rips right through your senses
Stepchild, there's a knife in a drawer in a room downstairs
And you, you know what you must do
So the stepchild ran with a knife to his sleeping frame
And slams it in his arms, his legs, his face, his neck and says
There's a law against me now
And the father who must be killed
With his dying breath, he grabs her hand
And he looks into her eyes
He says "I'm sorry" and he dies
Stepchild, I release you
With this broken voice I beseech you
Why are lives so short?
The stepchild thought half pointing to the sky
No one to warn me
No hand to touch me
And no Bible-belters to mess with me
Mama don't miss me
Mama don't miss me
This death will complete me
"But where I go there will be no one to meet me
I know there will be no one to meet me"
But still the step-child press the knife to her throat
Half pointing to the sky
Just as mother-less birds fly high
Then so shall I
So shall I
So shall I
So shall I
So shall I
Lyrics submitted by raisedbypuffins, edited by leesong
The Father Who Must Be Killed Lyrics as written by Alain Gordon Whyte Steven Morrissey
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Lyrics powered by LyricFind
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
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There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
Hmm, let's leave behind our cultural fixation with child molestation for a moment and look at what the lyrics actually say.
I think a lot of this song is based around the internal perceptions of the stepchild, rather than reality. The lines "Stepchild, you have outlived your time / You represent embarrassment and failure" is how the stepchild feels about her position within the family, i.e., she feels 'left over' from a previous, failed relationship, and now lives feeling outcast and unwelcome from the new family unit, like they would be better off without her. She is understandably angry about this, although there is no evidence given in the song that she is made to feel like this intentionally by the mother or the stepfather.
I am fairly certain that this song is not about child abuse. It describes "petty swipes" and the annoying way the stepfather chews his food, which implies quite the opposite - that the stepfather isn't necessarily at fault, but the stepchild PERCEIVES that he is a monster and deserves to die, because, to her, he is iconic of the situation which has led to her feeling like an unwanted child.
It gets complicated at the "I'm sorry" part, and I think this is intentionally ambiguous, but I think that jumping to the assumption that he must have raped her contradicts the rest of the song entirely. Maybe Morrissey is using poetic licence and the stepfather is actually apologising for making her feel outcast, therefore affirming her feelings? Or maybe the apology is imagined in a moment of closure, hence it is followed by the "stepchild, I release you", which, obviously, he wouldn't actually be saying.
The stepchild reflects on the shortness of life before killing herself. She is either reflecting on having just taken someone's life and the moral dilemma that has given her ("no one to warn me" possibly refers to this), or she feels pushed to commit suicide for a range of mental reasons which it is obvious she has through the way she handles herself in the song, and is reflecting on the shortness of her own life as she is about to die.
Yes, there is the "no hand to touch me" line, but it is unclear that this is talking about the stepfather, since she says it while killing herself and so no hand will ever touch her again, and it is in context of talking about general problems with her life/the world such as "bible belters" (plural).