This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
I was reading a magazine
And thinking of a rock and roll song
The year was 1954
And I hadn't been playing that long
When a man came on the radio
And this is what he said
He said I hate to break it to his fans
But Johnny Ace is dead, yeah, yeah, yeah
Well, I really wasn't
Such a Johnny Ace fan
But I felt bad all the same
So I sent away for his photograph
And I waited till it came
It came all the way from Texas
With a sad and simple face
And they signed it on the bottom
From the Late Great Johnny Ace, yeah, yeah, yeah
It was the year of The Beatles
It was the year of The Stones
It was nineteen 1964
I was living in London
With the girl from the summer before
It was the year of The Beatles
It was the year of The Stones
A year after J.F.K.
We were staying up all night
And giving the days away
And the music was flowing amazing
And blowing my way
On a cold December evening
I was walking through the Christmas tide
When a stranger came up and asked me
If I'd heard John Lennon had died
And the two of us went to this bar
And we stayed to close the place
And every song we played
Was for The Late Great Johnny Ace, yeah, yeah, yeah
And thinking of a rock and roll song
The year was 1954
And I hadn't been playing that long
When a man came on the radio
And this is what he said
He said I hate to break it to his fans
But Johnny Ace is dead, yeah, yeah, yeah
Well, I really wasn't
Such a Johnny Ace fan
But I felt bad all the same
So I sent away for his photograph
And I waited till it came
It came all the way from Texas
With a sad and simple face
And they signed it on the bottom
From the Late Great Johnny Ace, yeah, yeah, yeah
It was the year of The Beatles
It was the year of The Stones
It was nineteen 1964
I was living in London
With the girl from the summer before
It was the year of The Beatles
It was the year of The Stones
A year after J.F.K.
We were staying up all night
And giving the days away
And the music was flowing amazing
And blowing my way
On a cold December evening
I was walking through the Christmas tide
When a stranger came up and asked me
If I'd heard John Lennon had died
And the two of us went to this bar
And we stayed to close the place
And every song we played
Was for The Late Great Johnny Ace, yeah, yeah, yeah
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The Night We Met
Lord Huron
Lord Huron
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
This is strictly autobiographical – this is Paul Simon talking about himself, not a bit of fiction to it.
Paul Simon explains how three times in his life were linked together, with the first two thematically linked to the third.
Johnny Ace (a stage name, of course) was someone Simon didn't know that well, but noted with sadness and got to know a bit after his death.
The Beatles (and Stones) were more Simon's time, and obviously great inspirations to him.
The third event, in 1980, is what Simon really wanted to comment upon – how he felt when he heard the news about John Lennon's death. The two earlier passages are the setup for it. In this case, unlike the 1954 case, Simon cared very deeply about the deceased, and his death was untimely and shocking. Now, a capable and celebrated musician himself, Simon's response was to go to a bar – obviously anywhere he arrived would welcome him – and play music to console himself and honor Lennon. And he feels that the stage name of the older musician, "Johnny Ace," is appropriate for Lennon, in the sense of an ace, as in cards, being the highest ranking member of a set.
That's the payoff of the song, to give John Lennon that name, the affectionate "Johnny" instead of his given name, and "Ace" to proclaim his greatness. The first portion of the song warmly remembers the man who had that as his stage name, but at the end of the song, it's Lennon who is remembered by Simon as the late, great Johnny Ace.
Just noticed the third Johnny is JFK (John F Kennedy)
You're absolutely right, Will26. Two other things I didn't know/notice when I posted my first comment:<br /> 1) All three Johnnys were shot. Johnny Ace shot himself. The other two cases, we all know.<br /> 2) "The Late Great Johnny Ace" was the title of a biography written about Johnny Ace.