This is one of my favorite songs. https://fnfgo.io
Hey baby, what you gonna do
When the lights go up on you?
What's your name, can I drive you home?
Sweet woman, are you all alone?
You're the one for me
I'm gonna keep you busy as a bee, could bee, could be
Rat bat blue
Now, get up woman, don't be slow
It's getting late and I wanna go
No cause for acting big
Got to love, got to live
Stick around with me
I'm gonna show you things you never thought you'd see,
You see
Rat bat blue
You're so fine
Get out!
You didn't understand
I'm a hard loving man
No way you can satisfy
The way you look, the way you lie
And when you shut the door
Make sure I don't see you 'round here no more
Rat bat blue
Alright
When the lights go up on you?
What's your name, can I drive you home?
Sweet woman, are you all alone?
You're the one for me
I'm gonna keep you busy as a bee, could bee, could be
Rat bat blue
Now, get up woman, don't be slow
It's getting late and I wanna go
No cause for acting big
Got to love, got to live
Stick around with me
I'm gonna show you things you never thought you'd see,
You see
Rat bat blue
You're so fine
Get out!
You didn't understand
I'm a hard loving man
No way you can satisfy
The way you look, the way you lie
And when you shut the door
Make sure I don't see you 'round here no more
Rat bat blue
Alright
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More Featured Meanings
Mental Istid
Ebba Grön
Ebba Grön
Dreamwalker
Silent Planet
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
One of the late John Lord's most virtuoso keyboard jams highlights this, the best song on the up-and-down "Who Do We Think We Are" LP. On the vinyl, this song kicked off side 2, which was better than side one because it sounded more like "Machine Head" and less like "Fireball." Lyrically it's not the strongest cut, just another love-'em-and-leave-'em rock song which were a dime a dozen back then. But this song would have fit nicely on DP's masterpiece "Machine Head," with it's tremendous energy, solid riffing, and as always the virtuoso drumming from the under-appreciated Ian Paice. If people aren't familiar with John Lord's keyboard work, this is one of a few songs (also "Lazy" or "Burn") to play them, as Lord really kicks out the jams in "Rat Bat Blue."
The only question remains - what the hell is "Rat Bat Blue"? Just a nonsense phrase? A nickname someone gave to the song's central chica? What?