This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
I leapt across three or four beds into your arms
Where I had hidden myself somewhere in your charm
Our golden handshake has been smashed into this shape
It's taken magic to a primitive new place
Watch them run
Although it's
The minimum
Heroic
We hunched together in one chair out on the deck
In snow that froze and fell down on the modern set
It looked as if I picked your name out of a hat
Next thing you know you are asleep in someone's lap
Watch them run
Although it's
The minimum
Heroic
We quit the room
Quit so our thoughts could rest
Rest them, I'll never move
That's when we grab a hold
Of whatever it is we fell into
Lousy with your content
With what the majestic cannot find
In business of your lives
The perception, it is wrong, mile after mile
The phantom taste drinking wine from your heels
We have arrived too late to play
The bleeding heart show
We have arrived too late to play
The bleeding heart show
We have arrived too late to play
The bleeding heart show
We have arrived too late to play
The bleeding heart show
We have arrived too late to play
The bleeding heart show
We have arrived
The bleeding heart
Where I had hidden myself somewhere in your charm
Our golden handshake has been smashed into this shape
It's taken magic to a primitive new place
Watch them run
Although it's
The minimum
Heroic
We hunched together in one chair out on the deck
In snow that froze and fell down on the modern set
It looked as if I picked your name out of a hat
Next thing you know you are asleep in someone's lap
Watch them run
Although it's
The minimum
Heroic
We quit the room
Quit so our thoughts could rest
Rest them, I'll never move
That's when we grab a hold
Of whatever it is we fell into
Lousy with your content
With what the majestic cannot find
In business of your lives
The perception, it is wrong, mile after mile
The phantom taste drinking wine from your heels
We have arrived too late to play
The bleeding heart show
We have arrived too late to play
The bleeding heart show
We have arrived too late to play
The bleeding heart show
We have arrived too late to play
The bleeding heart show
We have arrived too late to play
The bleeding heart show
We have arrived
The bleeding heart
Lyrics submitted by Little Timmy
The Bleeding Heart Show Lyrics as written by Carl Allan Newman
Lyrics © BMG Rights Management
Lyrics powered by LyricFind
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
The Night We Met
Lord Huron
Lord Huron
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
...Not to mention (as another poster mentioned) some of the best drumming I have ever heard, ever.
cityclass's comment: "i was in the movie theatre and this song came on with one of the trailers (i forget which one) and it was all the oohs and then it looked like they were gonna just stop before the hey-las, and i was practically cringing 'cause they couldn't play this song and NOT have the hey-las, and the song paused after the oohs and i thought it was gonna just be over but then there was like an explosion on the screen with the title of the movie and the hey-las"
@Jedasourus I was shocked when I saw them live and Kurt Dahle both had a normal, sparse drum kit; and did not in fact have 8 arms. :)<br /> <br /> Too bad he left the band. :(
@Jedasourus YES. I've got a lot of time for the Pornos' current drummer Joe Seiders, but Kurt Dahle was something else.