The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Down in the cellar in the boho zone
I went looking for some sweet inspiration, oh well
Just another hard-time band
With negro affectations
I was a hopeful in rooms like this
When I was working cheap
It's an old romance, the boho dance
It hasn't gone to sleep
But even on the scuffle
The cleaner's press was in my jeans
And any eye for detail
Caught a little lace along the seams
And you were in the parking lot
Subterranean by your own design
The virtue of your style inscribed
On your contempt for mine
Jesus was a beggar, he was rich in grace
And Solomon kept his head in all his glory
It's just that some steps outside the boho dance
Have a fascination for me
A camera pans the cocktail hour
Behind a blind of potted palms
And finds a lady in a Paris dress
With runs in her nylons
You read those books where luxury
Comes as a guest to take a slave
Books where artists in noble poverty
Go like virgins to the grave
Don't you get sensitive on me
'Cause I know you're just too proud
You couldn't step outside the boho dance now
Even if good fortune allowed
Like a priest with a pornographic watch
Looking and longing on the sly
Sure it's stricken from your uniform
But you can't get it out of your eyes
Nothing is capsulized in me
On either side of town
The streets were never really mine
Not mine, not mine, these glamour gowns
I went looking for some sweet inspiration, oh well
Just another hard-time band
With negro affectations
I was a hopeful in rooms like this
When I was working cheap
It's an old romance, the boho dance
It hasn't gone to sleep
But even on the scuffle
The cleaner's press was in my jeans
And any eye for detail
Caught a little lace along the seams
And you were in the parking lot
Subterranean by your own design
The virtue of your style inscribed
On your contempt for mine
Jesus was a beggar, he was rich in grace
And Solomon kept his head in all his glory
It's just that some steps outside the boho dance
Have a fascination for me
A camera pans the cocktail hour
Behind a blind of potted palms
And finds a lady in a Paris dress
With runs in her nylons
You read those books where luxury
Comes as a guest to take a slave
Books where artists in noble poverty
Go like virgins to the grave
Don't you get sensitive on me
'Cause I know you're just too proud
You couldn't step outside the boho dance now
Even if good fortune allowed
Like a priest with a pornographic watch
Looking and longing on the sly
Sure it's stricken from your uniform
But you can't get it out of your eyes
Nothing is capsulized in me
On either side of town
The streets were never really mine
Not mine, not mine, these glamour gowns
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Light Up The Sky
Van Halen
Van Halen
Fast Car
Tracy Chapman
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
This is probably a deeply personal song, although it could be JM's reference to a friend or someone else whose struggle with success versus personal integrity she identified with at the time (JM was certainly no Edith, vulnerable to any King Pin, but she understood the allure, from "both sides now!") She could hardly be afraid of selling out at this point in her career, but the frustration with being boorishly accused of same is irresistible grist for her song mill. She started managing and marketing herself before her first marriage and after the breakup with Chuck Mitchell and was a serious businesswoman when it came to handling her own purse strings from then on. She "sold out" way back when she stopped playing uke in small clubs for cigarette money. The perfection and professionalism with which she honed her various crafts (the woman is primarily a painter, remember) is far too fierce for mere self-flagellation. In the end I don't know the exact boundary lines between the artist herself and the voice of the song, but this is a recurring theme throughout her career. Earlier there was "For Free" (I play if you have the money) and later "Taming The Tiger" (I'm a runaway from the record biz.....boring!). By the time the last album "Shine" came along she seemed truly retired from this struggle with fame, success, whatever. In retreat, victoriously so. I would love to read her poetry and fiction but my impression is that she does not pursue these lines because she is not as good at them as she would like to be. Her excellence as painter, musician, singer, etc. must set some pretty high bars of expectation?