This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Oh, well imagine
As I'm pacing the pews in a church corridor
And I can't help but to hear
No, I can't help but to hear an exchanging of words
"What a beautiful wedding
What a beautiful wedding", says a bridesmaid to a waiter
"And, yes, but what a shame
What a shame the poor groom's bride is a whore"
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of
Well, in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne
Oh, well in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne, pour the champagne
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
As I'm pacing the pews in a church corridor
And I can't help but to hear
No, I can't help but to hear an exchanging of words
"What a beautiful wedding
What a beautiful wedding", says a bridesmaid to a waiter
"And, yes, but what a shame
What a shame the poor groom's bride is a whore"
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of
Well, in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne
Oh, well in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne, pour the champagne
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
Lyrics submitted by ADimeADexter, edited by Ninjasauceman, LaserKiwi, thfuckboy, PATDandTOP, emoqueen420, iamsobadatthis
I Write Sins Not Tragedies Lyrics as written by Brendon Urie George Ross
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
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I never said he was actually getting married, his character in the song is.