This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Hey let him follow you down
Way underground wind and he's bound
Bound to follow you down
Just a dead beat right off the street
Bound to follow you down
Well the ballrooms and smelly bordellos
And dressing rooms filled with parasites
On stage the band has got problems
They're a bag of nerves on first nights
He ain't tied down to no home town
Yeah, and he thought he was wreckless
You think he's bad, he thinks you're mad
Yeah, and the guitar player gets restless
And his coat is torn and frayed
It's seen much better days
Just as long as the guitar plays
Let it steal your heart away
Let it steal your heart away
And his coat is torn and frayed
It's seen much better days
Just as long as the guitar plays
Let it steal your heart away
Joe's got a cough, sounds kind a rough
Yeah, and the codeine to fix it
Doctor prescribes, drug store supplies
Who's gonna help him to kick it
And his coat is torn and frayed
It's seen much better days
Just as long as the guitar plays
Let it steal your heart away
Let it steal your heart away
And his coat is torn and frayed
It's seen much better days
Just as long as the guitar plays
Just as long as the guitar plays
Just as long as the guitar plays
Just as long as the guitar plays
Way underground wind and he's bound
Bound to follow you down
Just a dead beat right off the street
Bound to follow you down
Well the ballrooms and smelly bordellos
And dressing rooms filled with parasites
On stage the band has got problems
They're a bag of nerves on first nights
He ain't tied down to no home town
Yeah, and he thought he was wreckless
You think he's bad, he thinks you're mad
Yeah, and the guitar player gets restless
And his coat is torn and frayed
It's seen much better days
Just as long as the guitar plays
Let it steal your heart away
Let it steal your heart away
And his coat is torn and frayed
It's seen much better days
Just as long as the guitar plays
Let it steal your heart away
Joe's got a cough, sounds kind a rough
Yeah, and the codeine to fix it
Doctor prescribes, drug store supplies
Who's gonna help him to kick it
And his coat is torn and frayed
It's seen much better days
Just as long as the guitar plays
Let it steal your heart away
Let it steal your heart away
And his coat is torn and frayed
It's seen much better days
Just as long as the guitar plays
Just as long as the guitar plays
Just as long as the guitar plays
Just as long as the guitar plays
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Hayalperest
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Little Feat
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
That sounds pretty accurate, especially since Keith was known for wearing his favorite jackets and shirts until they literally fell off his body. I love the verse about Joe. How very true those words are.
Keith Vs. Mick is all opinion.
Mick held the band together for a good part of the 70's and always wrote a bulk of the lyrics.....the best musician was Mick Taylor (check out the up grade on Ya-ya's on the old material)
Boot leg stuff from 73 shows even more so how Taylor was By FAR the best musican.....and that's why the stones will never release cock sucker blues and other live material from 70-73.
O the song? I though it said his "arm" is torn and Frayed. i.e. junkie's shot up arm.....if in fact that is the line, it's pretty sick.
either way a hell of a song on the greatest album ever.
i think mick wrote this about keith. i think he is basically saying: 'things are going to get worse, but until they do, just enjoy things.'
That's not right. Mick and Bianca have tried to take credit for helping Keith kick heroin but in truth they did very little. In fact, after Keith got his act together, he says that Mick privately wished he was a junkie again because Mick had gotten used to being the sole leader of the band and resented Keith's new input. And why wouldn't he resent it? After all he knows deep down that Keith is a much better pure musician than himself. Keith has more emotion and "realness" in his pinky toe than Mick has in his entire body.
@JumpyJack I don’t understand why people split off into “Keith’s camp” or “Mick’s Camp”, and idk why anyone who likes the Stones would elevate one over the other - they are EQUALLY important to the story of the Stones. And just cuz Mick doesn’t (usually) play an instrument doesn’t mean he’s not a fabulous musician.
Definitely about Keef.
pt? are you Mick Taylor in disguise?? If you are youre an ace guitarist. Maybe its just a bluesy made up lyric?
How can there be no comment on this? A beautiful song, down-home, bar-room give-me-the-beat-boy type stuff talking about a torn and frayed musician. The stones don't have any of those, do they?
beautiful song, definately my favorite on the album, it sounds so holy and graceful.
yeah a very nice song.love jaggers wierd accent.this album is their best for sure!as for song meaning...uh, i think its maybe how the stones saw themselves at the time - sort of outlaws or whatever
this song makes a lot of sense if you watch the movie Cocksucker Blues. You see them dealing with lots of drugs and dressing rooms filles with parasites.
i think most of the takes on it are spot-on. i always too the line "Just as long as the guitar plays" to mean that Mick was hoping that Keith wouldn't die or eel over in the middle of a performance.