The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Why burn poor and lonely?
Under a bowl
Or under a lamp shade
Or on the shelf beside the bed
Where at night you lay turning
Like a door on its hinges
First on your left side
Then on your right side
Then on your left side again
Why burn poor and lonely?
Tell all the stones
We're gonna make a building
They'll be cut into shape
And set into place
Or if you'd rather be a window
I'll gladly be the frame
Reflecting any kind words
We'll let in all the blame
And ruin our reputation all the same
So never mind our plan making
We'll start living
Anyway
Aren't you unbearably sad?
Then why burn so poor and lonely?
We'll be like torches
We'll be like torches
We'll be like torches
We'll be torches together
Torches together
We'll be like torches
We'll be like torches
With whatever respect
Our tattered dignity demands
Torches together
Hand in hand
Why pluck one string?
What good is just one note?
Oh one string sounds fine I guess
But we were once one note
We weren't lonely wheat
Quietly ground into grain
One light and momentary pain
So why the safe distance?
This curious look
Why tear out single pages,
When you can throw away the book?
Why pluck one string when you can
Strum the guitar?
Strum the guitar
Strum the guitar
Strum the guitar
With no beginning
With no end
Take down the guitar
And strum the guitar
Strum the guitar if you're afraid
And I'm afraid
And everyone's afraid
And everyone knows it
But we don't have to be afraid
Anymore
You played the flute
But no one was dancing
You sang a sad song
But none of us cried
You played the flute
But no one was dancing
And you sang a sad song
You sang such a sad song
Under a bowl
Or under a lamp shade
Or on the shelf beside the bed
Where at night you lay turning
Like a door on its hinges
First on your left side
Then on your right side
Then on your left side again
Why burn poor and lonely?
Tell all the stones
We're gonna make a building
They'll be cut into shape
And set into place
Or if you'd rather be a window
I'll gladly be the frame
Reflecting any kind words
We'll let in all the blame
And ruin our reputation all the same
So never mind our plan making
We'll start living
Anyway
Aren't you unbearably sad?
Then why burn so poor and lonely?
We'll be like torches
We'll be like torches
We'll be like torches
We'll be torches together
Torches together
We'll be like torches
We'll be like torches
With whatever respect
Our tattered dignity demands
Torches together
Hand in hand
Why pluck one string?
What good is just one note?
Oh one string sounds fine I guess
But we were once one note
We weren't lonely wheat
Quietly ground into grain
One light and momentary pain
So why the safe distance?
This curious look
Why tear out single pages,
When you can throw away the book?
Why pluck one string when you can
Strum the guitar?
Strum the guitar
Strum the guitar
Strum the guitar
With no beginning
With no end
Take down the guitar
And strum the guitar
Strum the guitar if you're afraid
And I'm afraid
And everyone's afraid
And everyone knows it
But we don't have to be afraid
Anymore
You played the flute
But no one was dancing
You sang a sad song
But none of us cried
You played the flute
But no one was dancing
And you sang a sad song
You sang such a sad song
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In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Fast Car
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Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
When We Were Young
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Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Wow.