The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Bass! How low can you go?
Death row, what a brother knows
Once again, back is the incredible
The rhyme animal
The uncannable D, Public Enemy Number One
Five-O said, "Freeze!" and I got numb
Can I tell 'em that I never really had a gun?
But it's the wax that the Terminator X spun
Now they got me in a cell 'cause my records, they sell
'Cause a brother like me said, "Well
Farrakhan's a prophet and I think you ought to listen to
What he can say to you, what you wanna do is follow for now"
Power of the people, say
"Make a miracle, D, pump the lyrical"
Black is back, all in, we're gonna win
Check it out, yeah y'all, here we go again
Turn it up! Bring the noise!
Turn it up! Bring the noise!
Never badder than bad 'cause the brother is madder than mad
At the fact that's corrupt as a senator
Soul on a roll, but you treat it like soap on a rope
'Cause the beats and the lines are so dope
Listen for lessons I'm saying inside
Music that the critics are blasting me for
They'll never care for the brothers and sisters
Mow, 'cause the country has us up for the war
We got to demonstrate, come on now, they're gonna have to wait
Till we get it right
Radio stations I question their blackness
They call themselves black, but we'll see if they'll play this
Turn it up! Bring the noise!
Turn it up! Bring the noise!
Get from in front of me, the crowd runs to me
My deejay is warm, he's X, I call him Norm, ya know
He can cut a record from side to side
So what, the ride, the glide should be much safer than a suicide
Soul control, beat is the father of your rock and roll
Music for whatcha, for whichin', you call a band, man
Making a music, abuse it, but you can't do it, ya know
You call 'em demos, but we ride limos, too
Whatcha gonna do? Rap is not afraid of you
Beat is for Sonny Bono, beat is for Yoko Ono
Run-DMC first said a deejay could be a band
Stand on its feet, get you out your seat
Beat is for Eric B. and LL as well, hell
Wax is for Anthrax, still it can rock bells
Ever forever, universal, it will sell
Time for me to exit, Terminator X-it
Turn it up! Bring the noise!
Turn it up! Bring the noise!
From coast to coast, so you can stop being like a comatose
"Stand, my man? The beat's the same with a boast toast"
Rock with some pizzazz, it will last. Why you ask?
Roll with the rock stars, still never get accepted as
We got to plead the Fifth, we can investigate
Don't need to wait, get the record straight
Hey, posse's in effect, got the Flavor, Terminator
X to sign checks, play to get paid
We got to check it out down on the avenue
A magazine or two is dissing me and dissing you
Yeah, I'm telling you
Death row, what a brother knows
Once again, back is the incredible
The rhyme animal
The uncannable D, Public Enemy Number One
Five-O said, "Freeze!" and I got numb
Can I tell 'em that I never really had a gun?
But it's the wax that the Terminator X spun
Now they got me in a cell 'cause my records, they sell
'Cause a brother like me said, "Well
Farrakhan's a prophet and I think you ought to listen to
What he can say to you, what you wanna do is follow for now"
Power of the people, say
"Make a miracle, D, pump the lyrical"
Black is back, all in, we're gonna win
Check it out, yeah y'all, here we go again
Turn it up! Bring the noise!
Turn it up! Bring the noise!
Never badder than bad 'cause the brother is madder than mad
At the fact that's corrupt as a senator
Soul on a roll, but you treat it like soap on a rope
'Cause the beats and the lines are so dope
Listen for lessons I'm saying inside
Music that the critics are blasting me for
They'll never care for the brothers and sisters
Mow, 'cause the country has us up for the war
We got to demonstrate, come on now, they're gonna have to wait
Till we get it right
Radio stations I question their blackness
They call themselves black, but we'll see if they'll play this
Turn it up! Bring the noise!
Turn it up! Bring the noise!
Get from in front of me, the crowd runs to me
My deejay is warm, he's X, I call him Norm, ya know
He can cut a record from side to side
So what, the ride, the glide should be much safer than a suicide
Soul control, beat is the father of your rock and roll
Music for whatcha, for whichin', you call a band, man
Making a music, abuse it, but you can't do it, ya know
You call 'em demos, but we ride limos, too
Whatcha gonna do? Rap is not afraid of you
Beat is for Sonny Bono, beat is for Yoko Ono
Run-DMC first said a deejay could be a band
Stand on its feet, get you out your seat
Beat is for Eric B. and LL as well, hell
Wax is for Anthrax, still it can rock bells
Ever forever, universal, it will sell
Time for me to exit, Terminator X-it
Turn it up! Bring the noise!
Turn it up! Bring the noise!
From coast to coast, so you can stop being like a comatose
"Stand, my man? The beat's the same with a boast toast"
Rock with some pizzazz, it will last. Why you ask?
Roll with the rock stars, still never get accepted as
We got to plead the Fifth, we can investigate
Don't need to wait, get the record straight
Hey, posse's in effect, got the Flavor, Terminator
X to sign checks, play to get paid
We got to check it out down on the avenue
A magazine or two is dissing me and dissing you
Yeah, I'm telling you
Lyrics submitted by SoccrFwd13
Bring The Noise Lyrics as written by Eric T. Sadler James Henry Boxley Iii
Lyrics © Universal Music Publishing Group, REACH MUSIC PUBLISHING
Lyrics powered by LyricFind
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Light Up The Sky
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This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Gentle Hour
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Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
When We Were Young
Blink-182
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This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
All I want to say is that Belgium isn't better. Every country has shit. Every country has it's own racial issues, more because of economic and/or social problems.
In the US you have the KKK; in Belgium you have Vlaams Belang, an extremist party (heirs of neo-nazi groups) wiht 20% of the votes. In Antwerp they even earn 33% of all votes and at the same times you had racial murders, racial riots, etc. We've even had some kind of local Malcolm X (Abou-Jahjah). We have zionist lobby's who blame everything on the muslims. We've had concerts from the neo-nazi's from Blood&Honour. We have tensions between Dutch-speaking and French-speaking people. We have had problems from ghetto's from Paris.
And still, if I walk in Antwerp, Brussels or another Belgian town I don't feel bad about it. I still feel safe; I'm not afraid of being mugged or raped. Maybe the USA is just a little paranoid?