Pretty girls
You're too good for this
How you break my heart
In this cold waiting room
Oh my pretty girls
You're too good for this
Don't let them tell you you're nothing
Don't let them break your hearts too

The TV is blaring and angry
As if you don't know why you're here
Those who walk without sin are so hungry
Don't let the wolves in pretty girls

Your hearts are so tried and so innocent
Wind your flimsy blue gowns tight around you
Around curves so comely and sinister
They blame it on you pretty girls

Oh pretty girls
You're too good for this
How you break my heart
In this cold waiting room
Oh my pretty girls
You're too good for this
Don't let them tell you you're nothing
Don't let them break your hearts too

My girls you're just like the heavens
Not a soul to take your hand in theirs
Your tears and wild constellations
Broad limbs and hard folding chairs

But there's millions to count you and keep you
And lovers that don't understand
Don't let them tell you you're nothing
'Cause you'll change the world pretty girls

Come chain yourself 'round my ankle
You'll see the world like a bird
Diving down low
Flying up high
Through all of these saccharine gutters
We'll ride and I
Won't say that I told you so
Won't say that I told you so
Won't say that I told you so
Won't say that I told you so


Lyrics submitted by _scandalous

Pretty Girls Lyrics as written by Tom Ray Neko Case

Lyrics © Kobalt Music Publishing Ltd.

Lyrics powered by LyricFind

Pretty Girls song meanings
Add Your Thoughts

10 Comments

sort form View by:
  • 0
    General Comment

    I'd agree with Peaches, and add about the TV verse -- I don't know if this is NC's intention, but I think that if there's a cultural culprit, it's the media (TV), and in particular the advertising that is constantly telling young girls they're not enough as they are, that their greatest commodity is their looks, and that being found attractive on the outside is the most important thing. The "blaring and angry" TV reminds them that they're not good enough, "as if [they] don't know" what's missing -- the lesson has been pounded in until it's second nature. And the logical conclusion must be that if you're not a superstar like girl X in the commercial, then it's your own fault and you should feel guilty. Guilt, of course, is the point, because if it's your fault, then you can do something about it, like buy those beauty products and those clothes! But the brains behind those TV jingles and enticing images never show themselves -- instead they hide behind the screen, immune to their own hypnotic spells, refusing to take responsibility for the influence they hold over young minds and emotions. "Those without sin" can then sit above it all, living vicariously, and then judge harshly while their victims suffer the consequences. Anyway, diatribe over, and now I have to work out just who and where is this person that says, "Come chain yourself from my ankles"? Ankles? A girl who died on the abortion table? Or is my imagination just a little too worked up at the moment?

    Gillianizmoon June 30, 2006   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
Bron-Y-Aur Stomp
Led Zeppelin
This is about bronies. They communicate by stomping.
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.