In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Well this is my back yard
My back gate
I hate to start my parties late
Here's the party cart
Ain't that great?
That ain't the best part baby
Just wait
That's a genuine weathervane
It moves with the breeze
Portable hammock honey
Who needs trees
It's casual entertaining
We aim to please
At my parties
Check out the shingles
It's brand new
Excuse me while I mingle
Hi, how are you
Hey everybody
Let me give you a toast
This one's for me
The host with the most
It's getting a trifle colder
Step inside my home
That's a brass toilet tissue holder with it's own telephone
That's musical doorbell
It don't ring, I ain't kiddin'
It plays America the beautiful and tie a yellow ribbon
Boy, this punch is a trip
It's okay in my book
Here, take a sip
Maybe little heaven on the fruit
Ah, here comes the dip
You may kiss the cook
Let me show you honey
It's easy, look
You take a fork and spire 'em
Say, did you try these ?
So glad you like 'em
The secret's in the cheese
It's casual entertaining
We aim to please
At my parties
Now don't talk to me about the polar bear
Don't talk to me about ozone layer
Ain't so much of anything these days, even the air
They're running out of rhinos
What do I care?
Let's hear it for the dolphin
Let's hear it for the trees
Ain't runnin' out of nothin' in my deep freeze
It's casual entertaining
We aim to please
At my parties
My back gate
I hate to start my parties late
Here's the party cart
Ain't that great?
That ain't the best part baby
Just wait
That's a genuine weathervane
It moves with the breeze
Portable hammock honey
Who needs trees
It's casual entertaining
We aim to please
At my parties
Check out the shingles
It's brand new
Excuse me while I mingle
Hi, how are you
Hey everybody
Let me give you a toast
This one's for me
The host with the most
It's getting a trifle colder
Step inside my home
That's a brass toilet tissue holder with it's own telephone
That's musical doorbell
It don't ring, I ain't kiddin'
It plays America the beautiful and tie a yellow ribbon
Boy, this punch is a trip
It's okay in my book
Here, take a sip
Maybe little heaven on the fruit
Ah, here comes the dip
You may kiss the cook
Let me show you honey
It's easy, look
You take a fork and spire 'em
Say, did you try these ?
So glad you like 'em
The secret's in the cheese
It's casual entertaining
We aim to please
At my parties
Now don't talk to me about the polar bear
Don't talk to me about ozone layer
Ain't so much of anything these days, even the air
They're running out of rhinos
What do I care?
Let's hear it for the dolphin
Let's hear it for the trees
Ain't runnin' out of nothin' in my deep freeze
It's casual entertaining
We aim to please
At my parties
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I just saw MK on the 2008 leg of KTGC in Oregon USA. (Saw him in 2005 as well) My 70 something year old folks came up for the two shows in Oregon, and never having heard him or of him before, they were blown away by what a great performer he is live.
Putting together a mixed MP3 CD for their 900 mile road trip home, I went back and re-listened to some of the studio stuff to winnow out what made it and not unto the CD. I forgot just how good so many of the songs off of On Every Street was, including this one with the haunting melody.
Many of the early DS studio didn't make it on CD, for lets face it, he is so much better live, especially on the early stuff, but the last two albums, On Every Street and Brothers in Arms has more of the sound MK solo evolved into.
This song, rarely played on live boots I've add access to, stayed just because of various under tones of the story, like what followed in Boom Like That, Done with Bonaparte, Imelda, Sailing to Philadelphia to name but a few