Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
I'm closer to the Golden Dawn
Immersed in Crowley's uniform
Of imagery
I'm living in a silent film
Portraying Himmler's sacred realm
Of dream reality
I'm frightened by the total goal
Drawing to the ragged hole
And I ain't got the power anymore
No, I ain't got the power anymore
I'm the twisted name on Garbo's eyes
Living proof of Churchill's lies, I'm destiny
I'm torn between the light and dark
Where others see their targets, divine symmetry
Should I kiss the viper's fang?
Or herald loud the death of Man
I'm sinking in the quicksand of my thought
And I ain't got the power anymore
Don't believe in yourself, don't deceive with belief
Knowledge comes with death's release
Aah-aah, aah-aah, aah-aah, aah-aah
I'm not a prophet or a stone-age man
Just a mortal with the potential of a superman
I'm living on
I'm tethered to the logic of Homo Sapien
Can't take my eyes from the great salvation
Of bullshit faith
If I don't explain what you ought to know
You can tell me all about it on the next Bardo
I'm sinking in the quicksand of my thought
And I ain't got the power anymore
Don't believe in yourself, don't deceive with belief
Knowledge comes with death's release
Aah-aah, aah-aah, aah-aah, aah-aah
Don't believe in yourself, don't deceive with belief
Knowledge comes with death's release
Aah-aah, aah-aah, aah-aah, aah-aah
Immersed in Crowley's uniform
Of imagery
I'm living in a silent film
Portraying Himmler's sacred realm
Of dream reality
I'm frightened by the total goal
Drawing to the ragged hole
And I ain't got the power anymore
No, I ain't got the power anymore
I'm the twisted name on Garbo's eyes
Living proof of Churchill's lies, I'm destiny
I'm torn between the light and dark
Where others see their targets, divine symmetry
Should I kiss the viper's fang?
Or herald loud the death of Man
I'm sinking in the quicksand of my thought
And I ain't got the power anymore
Don't believe in yourself, don't deceive with belief
Knowledge comes with death's release
Aah-aah, aah-aah, aah-aah, aah-aah
I'm not a prophet or a stone-age man
Just a mortal with the potential of a superman
I'm living on
I'm tethered to the logic of Homo Sapien
Can't take my eyes from the great salvation
Of bullshit faith
If I don't explain what you ought to know
You can tell me all about it on the next Bardo
I'm sinking in the quicksand of my thought
And I ain't got the power anymore
Don't believe in yourself, don't deceive with belief
Knowledge comes with death's release
Aah-aah, aah-aah, aah-aah, aah-aah
Don't believe in yourself, don't deceive with belief
Knowledge comes with death's release
Aah-aah, aah-aah, aah-aah, aah-aah
Lyrics submitted by ruben, edited by stefanhinz
Quicksand Lyrics as written by David Bowie
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Lyrics powered by LyricFind
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Mountain Song
Jane's Addiction
Jane's Addiction
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
This song is one of the most intelligent and complex Bowie wrote.
First, I don't think it can be that easily be linked with a philosphy, neither existensialism or nihilism. It can't be seen as buddistic or occult neither, it's just a big mix of all of these theories and spiritualities.
First, for what is of the philosophies, it's important not to use only single words of the song out of their context. In this song, Bowie isn't denying the concept of God, or at least the concept of afterlife. "Knowledge comes with death release" he says, implying there's something after death. If there's knowledge coming after death, there's an afterlife. The use of the word "Bardo"(not Brigitte Bardot but the buddhist concept about the differents steps, called bardos, in afterlife) goes in this direction.
Yes, there's a lot of Nietzsche references in the song. First the "superman" can be linked to the Overman of the philosopher. And Bowie sings about "bullshit faith". But the song does not adhere to the thinkings of Nietzsche completely, but just uses it as interrogations, a kind of counter-part. "I'm tethered to the logic of Homo Sapien Can't take my eyes from the great salvation Of bullshit faith " The statement about bullshit faith is here balancing the previous sentence, where is obsessed by the great (religious) salvation.
So I'd say this song isn't about answer, but questions. Bowie cannot be linked to any of the thinkings he's quoting. I personally think he wrote this song during his own experiences about occult religions and questions on afterlife. On one hand, he seems to be willing to believe, but on the other hand, he's torn by his nihilist side. "I'm torn between the light and dark Where others see their targets Divine symmetry "
The song is all about questions without answers. And the worst things about mysteries is that the more you think about it, the more you want to find a defintive answer, which is impossible. So he's "Sinking in the quicksand of his thought" knowing that one day he'll know his there's or not an afterlife.
The day of his death.