Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Check it out now
I work the pen to make the ink transform
On any particular surface the pen lands on
The camera stands on, what's the beef?
The Cooley High cold chief high post techniques
I drape off poetic landscapes and shapes
Illustrate the paper space off the pens that paint
Then design what have a National Geographic a magic
With Tailormade status and plus favored is automatic, uh!
We're not balling
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
We're not balling or shot callin'
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
Melancholy, mundane so I tame the hot flame
Big rings, fat chains, and y'all quest for the same
No name, use fame, strictly new to the thang
We stay true to the game and never bring it to shame
We tight like dreadlocks or Redd Foxx and Ripple
We pass participles, and smash the artist in you
The saga continues, this I won't get into
'Cause there ain't enough bars to hold the drama that we been through
Yo
We still the same with a little fame
A little change in the household name but ain't too much changed
We in the game but, yo not to be vain
I refrain from salt grains to season up my name
We entertain for a mutual gain from close range
Steady aim, drum at your head to hit the brain
I'm labor ready, Rhode Scholar for the dollar
Work for mines pay me by the hour
We're not balling
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
We're not balling or shot callin'
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
Music, that music (hip hop music)
Music, that music (hip hop music)
Music, that music (hip hop music)
Music, that music (hip hop music)
Music, that music (hip hop music) (turn it up, turn it up without a doubt)
Music, that music (hip hop music) (turn it up, turn it up without a doubt)
Music, that music (hip hop music) (turn it up, turn it up without a doubt)
Music, that music (hip hop music) (turn it up, turn it up without a doubt)
Yo
Well, it's the verbal Herman Munster
The word enhancer, sick of phony mobsters controllin' the dance floor
I been in dark places, catch you when you stark naked
Your heart races as we pump you for your chart spaces
The taut traces be bringing these hot styles through
Some of you bum a few chairs from shock value
Word power can plow through acres of cornfields
Paragraphs cut like warm steel, perform ill
We're not balling
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
We're not balling or shot callin'
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
I work the pen to make the ink transform
On any particular surface the pen lands on
The camera stands on, what's the beef?
The Cooley High cold chief high post techniques
I drape off poetic landscapes and shapes
Illustrate the paper space off the pens that paint
Then design what have a National Geographic a magic
With Tailormade status and plus favored is automatic, uh!
We're not balling
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
We're not balling or shot callin'
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
Melancholy, mundane so I tame the hot flame
Big rings, fat chains, and y'all quest for the same
No name, use fame, strictly new to the thang
We stay true to the game and never bring it to shame
We tight like dreadlocks or Redd Foxx and Ripple
We pass participles, and smash the artist in you
The saga continues, this I won't get into
'Cause there ain't enough bars to hold the drama that we been through
Yo
We still the same with a little fame
A little change in the household name but ain't too much changed
We in the game but, yo not to be vain
I refrain from salt grains to season up my name
We entertain for a mutual gain from close range
Steady aim, drum at your head to hit the brain
I'm labor ready, Rhode Scholar for the dollar
Work for mines pay me by the hour
We're not balling
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
We're not balling or shot callin'
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
Music, that music (hip hop music)
Music, that music (hip hop music)
Music, that music (hip hop music)
Music, that music (hip hop music)
Music, that music (hip hop music) (turn it up, turn it up without a doubt)
Music, that music (hip hop music) (turn it up, turn it up without a doubt)
Music, that music (hip hop music) (turn it up, turn it up without a doubt)
Music, that music (hip hop music) (turn it up, turn it up without a doubt)
Yo
Well, it's the verbal Herman Munster
The word enhancer, sick of phony mobsters controllin' the dance floor
I been in dark places, catch you when you stark naked
Your heart races as we pump you for your chart spaces
The taut traces be bringing these hot styles through
Some of you bum a few chairs from shock value
Word power can plow through acres of cornfields
Paragraphs cut like warm steel, perform ill
We're not balling
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
We're not balling or shot callin'
We take it back to the days of "yes y'all-in'"
We holding onto what's golden
On a stage I rage and I'm rollin'
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More Featured Meanings
Cajun Girl
Little Feat
Little Feat
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Amazing
Ed Sheeran
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
Yeah, this song is on my Top 5 list of songs. It has a catchy chorus and doesn't matter if you can't understand all the lyrics. I had no idea what the sample said at the end of every chorus, but it didn't stop me from singing along.
I think this song is all about taking it back to the good ol' days. It's about writing good, quality rhymes. It's about getting back to what's important . . . good hip hop. "What's Golden" is good hip hop.
I think my favorite line is Chali 2na's opening, "Well, it's the verbal Herman Munster / The word enhancer, sick of phony mobsters controllin' the dance floor"