This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
A mass of hands press on the market window
Ghosts of progress
Dressed in slow death
Feeding on hunger
And glaring through the promise
Upon the food that rots slowly in the aisle
A mass of nameless at the oasis
That hides the graves beneath the masters hill
Buried for drinking
The rivers water
While shackled to the line
At the empty well
This is the new sound
Just like the old sound
Just like the noose wound
Over the new ground
Listen to the fascist sing
Take hope here
War is elsewhere
You were chosen
This is god's land
Soon well be free
Of blot and mixture
Seeds planted by our
Forefathers hand
A mass of promises
Begin to rupture
Like the pockets
Of the new world kings
Like swollen stomachs
In Appalachia
Like the priests that fuck you
As they whisper holy things
A mass of tears have transformed to stones now
Sharpened on suffering
Woven into slings
Hope lies in the rubble of this rich fortress
Taking today what tomorrow never brings
This is the new sound
Just like the old sound
Just like the noose wound
Over new ground
Aint it funny how the factorys doors close
Round the time that the school doors close
Round the time that the doors of the jail cells
Open up to greet you like the reaper
Aint it funny how the factorys doors close
Round the time that the school doors close
Round the time that a hundred thousand jail cells
Open up to greet you like the reaper
This is the new sound
Just like the old sound
Just like the noose wound
Over the new ground
Like ashes in the fall
Ghosts of progress
Dressed in slow death
Feeding on hunger
And glaring through the promise
Upon the food that rots slowly in the aisle
A mass of nameless at the oasis
That hides the graves beneath the masters hill
Buried for drinking
The rivers water
While shackled to the line
At the empty well
This is the new sound
Just like the old sound
Just like the noose wound
Over the new ground
Listen to the fascist sing
Take hope here
War is elsewhere
You were chosen
This is god's land
Soon well be free
Of blot and mixture
Seeds planted by our
Forefathers hand
A mass of promises
Begin to rupture
Like the pockets
Of the new world kings
Like swollen stomachs
In Appalachia
Like the priests that fuck you
As they whisper holy things
A mass of tears have transformed to stones now
Sharpened on suffering
Woven into slings
Hope lies in the rubble of this rich fortress
Taking today what tomorrow never brings
This is the new sound
Just like the old sound
Just like the noose wound
Over new ground
Aint it funny how the factorys doors close
Round the time that the school doors close
Round the time that the doors of the jail cells
Open up to greet you like the reaper
Aint it funny how the factorys doors close
Round the time that the school doors close
Round the time that a hundred thousand jail cells
Open up to greet you like the reaper
This is the new sound
Just like the old sound
Just like the noose wound
Over the new ground
Like ashes in the fall
Lyrics submitted by piesupreme
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Hayalperest
Hayalperest
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
rage broke up because of Zach, he didn't feel the band was being serious enough. Kind of retarded and hypocritical, he didn't do shit while out of the band , whilst tom continued with his political battle. the band was in a very hypocritical position too, being signed to a large corporation. Tom once said ( not gonna lookup the spelling) "Nitche wouldnt object to his books being sold at borders" Zach never had a positive comment on that note.