It's a new decade
The Native Tongues are about to proceed with the usual lingo
The usual rhythm
Devoted to, the art of moving butts
The rhythm's happenin', and it's movin' up
The Tribe has been on hold for much too long
Don't fear the rhythm because it's strong
On the corners, brothers bop their heads
From the high-tops to the knotty dreads
I'm a Nubian y'all, look what we did
Took the crust away from the third eye lid
Now, it's kinda open, longs to see the site
Rhythms of the Tribe which is passed out right
Night after night, day after day
Questin' for the rhythms of the Native Tongue lay
Rhythm is the key as we open up the door
Things a b-boy has never seen before
Polyrhythmatic with a big fat boom
You have an eargasm as you start to consume
The ghetto beat with a ghetto poem
Yeah, it's from the heart, 'cause it's from the home
Jarobi, Phife, Ali Shaheed
Call me Koala, got what you need
You're a disc jock, then jock this
Rhythms can't lose, rhythms can't miss
If you feel uptight and you need to freak
It'll be alright once we drop this beat

I got the rhythm, you got the rhythm
I got the rhythm, you got the rhythm
I got the rhythm, you got the rhythm
I got the rhythm, you got the rhythm
I got the rhythm, you got the rhythm
I got the rhythm, you got the rhythm
I got the rhythm, you got the rhythm
I got the rhythm, you got the rhythm

Mama say, ma ma coo sa
Gets hectic, freak a bourgeois
We Quest around for the musical hard
On the avenues, streets and boulevard
Not sellin' out, that's a negative
Lovin' hip hop, lovin' heritage
Got the instinct to travel miles and miles
Gotta whole lot of room for piles and piles
Now, you're kinda with it, want to get the funk
From the Zulu Nation, toppin' all the junk
Standin' on the top like the Temptations said
Rhythms are obese, yeah, you gotta keep 'em fed
Read what I read, can't be better said
Tribalic motions dabble in the head
Sweetback's bad, not as bad a beat
It's a "stone groove baby"
Continue, on the windy road
But, I'm luggin', a crazy big load
Will we be on point for the ninety deck
Is it muscle bound and will it flex?
But trudging, we are used to
You don't Quest alone, Quest with a crew
We're four, once more, must make the tracks
You see four fronts, but now you see four backs

I got the rhythm, you got the rhythm


Lyrics submitted by Ice

Rhythm (Devoted to the Art of Moving Butts) Lyrics as written by Ali Shaheed Jones-muhammad Kamaal Ibn John Fareed

Lyrics © Universal Music Publishing Group, Word Collections Publishing

Lyrics powered by LyricFind

Rhythm (Devoted to the Art of Moving Butts) song meanings
Add Your Thoughts

1 Comment

sort form View by:
  • 0
    General Comment

    HOW HAS NO ONE COMMENTED ON THIS SONG? it's so amazing. like everything else a tribe called quest ever did

    welcometothemachineon October 06, 2007   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Light Up The Sky
Van Halen
The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Album art
Holiday
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday". I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.