This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Man walks along the railroad track
He's going some place and there's no turnin' back
The Highway Patrol chopper comin' up over the ridge
Man sleeps by a campfire under the bridge
The shelter line stretchin' around the corner
Welcome to the new world order
Families sleepin' in their cars out in the Southwest
No job, no home, no peace, no rest, no rest
And the highway is alive tonight
Nobody's foolin' nobody as to where it goes
I'm sitting down here in the campfire light
Searchin' for the ghost of Tom Joad
He pulls his prayer book out of a sleepin' bag
The preacher lights up a butt and takes a drag
He's waitin' for the time
When the last shall be first and the first shall be last
In a cardboard box 'neath the underpass
With a one way ticket to the promise land
With a hole in your belly and a gun in your hand
Lookin' for a pillow of solid rock
Bathin' in the city's aqueducts
And the highway is alive tonight
Nobody's foolin' nobody as to where it goes
I'm sittin' down here in the campfire light
With the ghost of old Tom Joad
Then Tom said "Ma, whenever ya seen a cop beatin' a guy
Wherever a hungry new born baby cries
Wherever there's a fight against the blood and hatred in the air
Look for me ma, I'll be there
Wherever somebody's strugglin' for a place to stand
For a decent job or a helpin' hand
Wherever somebody is strugglin' to be free
Look in their eyes ma, you'll see me"
You'll see me, you'll see me
You'll see me, you'll see me
You'll see me, you'll see me
You'll see me, you'll see me
And the highway is alive tonight
Nobody's foolin' nobody as to where it goes
I'm sittin' down here in the campfire light
With the ghost of Tom Joad
He's going some place and there's no turnin' back
The Highway Patrol chopper comin' up over the ridge
Man sleeps by a campfire under the bridge
The shelter line stretchin' around the corner
Welcome to the new world order
Families sleepin' in their cars out in the Southwest
No job, no home, no peace, no rest, no rest
And the highway is alive tonight
Nobody's foolin' nobody as to where it goes
I'm sitting down here in the campfire light
Searchin' for the ghost of Tom Joad
He pulls his prayer book out of a sleepin' bag
The preacher lights up a butt and takes a drag
He's waitin' for the time
When the last shall be first and the first shall be last
In a cardboard box 'neath the underpass
With a one way ticket to the promise land
With a hole in your belly and a gun in your hand
Lookin' for a pillow of solid rock
Bathin' in the city's aqueducts
And the highway is alive tonight
Nobody's foolin' nobody as to where it goes
I'm sittin' down here in the campfire light
With the ghost of old Tom Joad
Then Tom said "Ma, whenever ya seen a cop beatin' a guy
Wherever a hungry new born baby cries
Wherever there's a fight against the blood and hatred in the air
Look for me ma, I'll be there
Wherever somebody's strugglin' for a place to stand
For a decent job or a helpin' hand
Wherever somebody is strugglin' to be free
Look in their eyes ma, you'll see me"
You'll see me, you'll see me
You'll see me, you'll see me
You'll see me, you'll see me
You'll see me, you'll see me
And the highway is alive tonight
Nobody's foolin' nobody as to where it goes
I'm sittin' down here in the campfire light
With the ghost of Tom Joad
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
The Night We Met
Lord Huron
Lord Huron
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
rage fucked this song up. they changed the whole feel of it. it was orriginally a sad song. and they filled it with anger. the anger in bruce's version was subtle. not screaming and breaking things.
dont get me wrong, i love rage, but they didnt do the original justice here.
the original is so much better
Rage tends to change the whole feel of their covers. I like rage's version better, but im not a springsteen fan. If you are i understand how you could hate this version.
i understand that if you like the original a remake can seem unworthy but springsteen totally embraces them and their cover