Drop
Drop
Drop
Drop
Drop

Let me freak the funk, obsolete is the punk
That talks more junk than Sanford sells
I jet propel at a rate, that complicate their mental state
As I invade their masquerade, they couldn't fade with a clipper blade
Ten years in the trade is not enough, you can't cut it
I let you take a swing and you bunted for an easy out
I leave emcees with doubt of exceeding
My name is Bootie Brown and I'm proceeding, leading
They try to follow but they're shallow and hollow
I can see right through them like an empty 40 bottle of O.E
They have no key or no clue
To the game at all, now they washed up
Hung out to dry
Stand there looking stupid, wondering why
(Why, man?)
It was the fame (fame), that they tried to get
Now they walking around talkin' about represent
And keep it real, but I got to appeal
'Cause they existing in a fantasy when holding the steel

Drop
Drop
Drop
Drop
Drop
Drop

Rock-a-bye baby (baby)
Listen to your heartbeat pumping to a fine (fine)
Ravine of all things, it's the vain of a shrine (shrine)
All missions impossible are possible, 'cause I'm
Headed for a new sector 365
Days from now, I'll wipe the sweat from my eye
And each and every true will stick or fall from the skies (skies)
Of my cloud nine (nine)
From homies all the way to chicks, no matter how fine (fine)
Controlling is a swollen way to wreck a proud mind (mind)
You hold it in your hands and watch a man start crying
Tear after tear in the puppet man's hands (uh)
Every time you take a stance you do the puppet man's dance
And the world's at a standstill (still), deep in broken-man's-ville
Trapped in the moat with an anvil, still (shit is ill, shit is ill, still)
Killing yourself (uh-huh, shit) and dogging ya health
You ain't amphibious, so grab a hold of yourself
(Shit is-shit is ill)

But through my will, my flow still will spill
Toxic slick to shock sick like electrocute
When I execute acutely over the rhythm
On those that pollute, extra dosages is what I gotta give 'em
Got 'em mad and tremblin'
'Cause I been up in my lab assemblin' (assemblin')
Missiles to bomb the enemy
Because they envy me and the making of my mad currency
Currently I think we're in a state of an emergency (say what?)
'Cause niggas done sold their souls and now their souls is hollow
And I think they can't follow (follow, follow)
They can't swallow (swallow) the truth because it hurts (hurts)
This is how I put it down, this is my Earth, my turf
The worth of my birth is a billion (what?)
And you know what time it is I'm gonna make a million
Yeah, you know what time is it?
Yeah, uh huh, you know what time is it? (Drop)
Yeah, uh huh, you know what time is it? (Drop)
Yeah, uh huh, you know what time? (Drop)

I got the supersonic shit that'll blow your mind
Believe it or not, it's so divine
I got the supersonic shit that'll blow your mind

We all like to welcome you to this here flight
(Believe it or not, it's so divine)
Now entering fifty thousand feet (I got the supersonic shit that'll blow your mind)
Get you higher than the sky, all day and all night
You have to enjoy the ride haha
You got to enjoy the ride now
This is gonna last (I think I'm going out of my mind now)
At least five minutes of your time (nowadays, shirt is crazy)
But a whole lifetime (drop)
(Wow, shit is amazing)
Of the real rides
Now if you are to look out your right window (need to get a hold of myself)
(Need to get a hold of myself) you will see a map
(Hanging on for your life) that's Labcabincalifornia
(I'ma be in there)
Right over there (drop)
(Jd) JD
We're just now flying over Hollywood (drops)
Gettin' a good glimpse now (cuts, Pharcyde, forever)
Hold on now (to infinity)
Little turbulence, little turbulence (infinite and forever)
(Droppin' these nuts)
We're going down, we're going down
Where's Quentin?
M.o. (yeah)
Looks like you're gonna have to
Grab the parachutes (I think I'm going)
It's time to drop down on Labcabincalifornia (outta my mind, my mind)
That'll be the spot, we just blew an engine
We're going down, it's going down
It's going down, it's going down
(Mc's are phony) it's going down
(Only the real survive) only the real survive
(That's why we gotta drop it)
Only the real survive (that's why we gotta stop it)
Survive (that's why we gotta drop it)
Only the real survive (that's why we gotta stop it)
(On all open mic) drop
(Stand strong) drop
Yeah, infinity
Thousand feet
Nine hundred feet
Five hundred feet
Zero, ground zero


Lyrics submitted by crackermcnacca, edited by epiwoosh

Drop Lyrics as written by Emandu Imani Rashaan Wilcox Derrick Stewart

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

Drop song meanings
Add Your Thoughts

7 Comments

sort form View by:
  • 0
    General Comment

    the video is one of the best vids i EVER saw. honestly it is awesome nd original

    Cathal_91on July 15, 2008   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.