This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Time takes a cigarette, puts it in your mouth
You pull on your finger, then another finger, then cigarette
The wall-to-wall is calling, it lingers, then you forget
Oh, you're a rock 'n' roll suicide
You're too old to lose it, too young to choose it
And the clock waits so patiently on your song
You walk past a cafe, but you don't eat when you've lived too long
Oh, no, no, no, you're a rock 'n' roll suicide
Chev brakes are snarling as you stumble across the road
But the day breaks instead, so you hurry home
Don't let the sun blast your shadow
Don't let the milk float ride your mind
You're so natural, religiously unkind
Oh no, love, you're not alone
You're watching yourself, but you're too unfair
You got your head all tangled up, but if I could only make you care
Oh no, love, you're not alone
No matter what or who you've been
No matter when or where you've seen
All the knives seem to lacerate your brain
I've had my share, I'll help you with the pain
You're not alone
Just turn on with me, and you're not alone
Let's turn on and be not alone
Gimme your hands, 'cause you're wonderful
Gimme your hands, 'cause you're wonderful
Oh, gimme your hands
You pull on your finger, then another finger, then cigarette
The wall-to-wall is calling, it lingers, then you forget
Oh, you're a rock 'n' roll suicide
You're too old to lose it, too young to choose it
And the clock waits so patiently on your song
You walk past a cafe, but you don't eat when you've lived too long
Oh, no, no, no, you're a rock 'n' roll suicide
Chev brakes are snarling as you stumble across the road
But the day breaks instead, so you hurry home
Don't let the sun blast your shadow
Don't let the milk float ride your mind
You're so natural, religiously unkind
Oh no, love, you're not alone
You're watching yourself, but you're too unfair
You got your head all tangled up, but if I could only make you care
Oh no, love, you're not alone
No matter what or who you've been
No matter when or where you've seen
All the knives seem to lacerate your brain
I've had my share, I'll help you with the pain
You're not alone
Just turn on with me, and you're not alone
Let's turn on and be not alone
Gimme your hands, 'cause you're wonderful
Gimme your hands, 'cause you're wonderful
Oh, gimme your hands
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Hayalperest
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Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Dreamwalker
Silent Planet
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
Cover of the David Bowie song, of course.
While it's creepy, I'm still not sure if it measures up to the original. One of the things I always liked about Bowie's version is the way it's quite two-faced; is the "You're not alone - give me your hands" a plea from Ziggy to his fellow suicides to help each other, save each others' life, or is he inviting them to join him in death? BBR seem to have picked a side; Sarah's detached voice and the general moroseness of the song sounds more like... well... "Life is unfair, kill yourself" to quote a phrase. It's beautifully done and everything, and BBR are the perfect band to do it, but it lacks the double-edged threat of the original.
I think it's a great cover, though it took me several listens to get to appreciate it. It's also definately not a suicide song, not even in the original Bowie sense I think, though other BBR's songs are depressing and might be taken as such. Sarah Nixey's voice is beautiful and sexy, I love it.