This is one of my favorite songs. https://fnfgo.io
One Of These Days
The Beast Will Stand Here Right In Your Face
One Of These Days
Like A Nightmare Rising Back To The Surface
One Of These Days
Sooner Than Later
One Of These Days, One Of These Days
So You Thought The Beast Was Wounded
Agonizing Dead Or Asleep
How Come You Could Not Read The Signs
It's On Its Way For Requital
Jeering Sneering Back From The Hole
Out Of Which It Should Never Crawl
It's Relentless Bad To The Bone
Nothing Moves Its Soul Of Stone
One Of These Days
The Beast Will Stand Here Right In Your Face
One Of These Days
Like A Nightmare Rising Back To The Surface
One Of These Days
Sooner Than Later
One Of These Days, One Of These Days
They Look Much Younger So Unashamed
But They Are Just The Same
They've Sharpened Their Teeth In The Meantime
Their Hate Is All I See
They Look Like Walking Corpses To Me
Back In The Light Again
Look Out Their Fangs Are Sharper Than Ever
Their Hate, Their Pride, Is All I Can See
So You Thought The Beast Was Wounded
Agonizing Dead Or Asleep
How Come You Could Not Read The Signs
It's On Its Way For Requital
Jeering Sneering Back From The Hole
Out Of Which It Should Never Crawl
It's Relentless Bad To The Bone
Nothing Moves Its Soul Of Stone
One Of These Days, One Of These Days
One Of These Days
The Beast Will Stand Here Right In Your Face
One Of These Days
Like A Nightmare Rising Back To The Surface
One Of These Days
Sooner Than Later
One Of These Days, One Of These Days
The Beast Will Stand Here Right In Your Face
One Of These Days
Like A Nightmare Rising Back To The Surface
One Of These Days
Sooner Than Later
One Of These Days, One Of These Days
So You Thought The Beast Was Wounded
Agonizing Dead Or Asleep
How Come You Could Not Read The Signs
It's On Its Way For Requital
Jeering Sneering Back From The Hole
Out Of Which It Should Never Crawl
It's Relentless Bad To The Bone
Nothing Moves Its Soul Of Stone
One Of These Days
The Beast Will Stand Here Right In Your Face
One Of These Days
Like A Nightmare Rising Back To The Surface
One Of These Days
Sooner Than Later
One Of These Days, One Of These Days
They Look Much Younger So Unashamed
But They Are Just The Same
They've Sharpened Their Teeth In The Meantime
Their Hate Is All I See
They Look Like Walking Corpses To Me
Back In The Light Again
Look Out Their Fangs Are Sharper Than Ever
Their Hate, Their Pride, Is All I Can See
So You Thought The Beast Was Wounded
Agonizing Dead Or Asleep
How Come You Could Not Read The Signs
It's On Its Way For Requital
Jeering Sneering Back From The Hole
Out Of Which It Should Never Crawl
It's Relentless Bad To The Bone
Nothing Moves Its Soul Of Stone
One Of These Days, One Of These Days
One Of These Days
The Beast Will Stand Here Right In Your Face
One Of These Days
Like A Nightmare Rising Back To The Surface
One Of These Days
Sooner Than Later
One Of These Days, One Of These Days
Lyrics submitted by zazen
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Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
No Surprises
Radiohead
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.