"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
[Wyclef]
(Come on)
Root to the fruit
More bass than Bootsy Collins
You verses me
Thats like Ali verses Foreman (a-ha)
God's act, stand back and watch
Devil's time out
Can't be timed with no swatch watch
Who I am, the black Abraham
Zunga zunga zang, yellow man, Vietnam
Add an extra bar as I spar with literature
Taking kingdoms from tsars
Winning more wars than the Moors
[Forte]
Hey, what's the deal?
I seen the Devil spar with Allah
Mathematics was the key to set my whole race free
You might debate we, a refugee
No harm hurt me
Dying, thirsty from the struggle
To my own hustle bubble
On the low, woe is me
To show the Free Bob right
The righteous Asiatic thinker
While Satan rob light
Civilised like the Molly
Burgundy, wildy rocking
Seen the fifth when Ali clocked him
John Forte will keep you locked in
[Q-Tip]
People all around
You got to recognise and witness
The Mister who swift enough to knock you out with Mic fitness
Hands blistered from holding the mics tight
Some say it's fright night
Well throw the R after the F 'Cause I'm gonna take away your breath
The bell rings and now it's just a daily operation
Yo, you saw my lubrication
You can see this occupation (The winner)
Eh, you know we're from Q-Borough
L-Booie and Clef the trainers, Prazwell promote the throw
[Lauryn Hill]
We used to bite bullets with the pig-skin casing
Now we perfect slang like a gang of street masons (uh)
Scribe check make connects
True pyramid architects (yeah)
Replace the last name with the X (X)
The man's got a God complex
But take the text and change the picture
Watch Muhammad play the messenger like Holy Muslim scriptures
Take orders from only God
Only war when it's Jihad
See Ali appears in Zaire to reconnect 400 years
But we the people dark but equal give love to such things
To the man who made the fam' remember when we were kings
Blocks on fire (Block's on fire tonight)
Fiends getting higher (uh-huh)
Robbing blue collar
(Hey yo we rob them blue collars)
Killing for a dollar (Stick 'em up)
Youths get tired (Ali ah yeah)
We're dealing with them liars (Ali ah yeah)
(We're dealing with too many liars)
From Brooklyn to Zaire (uh-huh ah yeah)
We need a ghetto Messiah (ah yeah come on)
Send me an angel in the morning, baby
Send me an angel in the morning, darling
Send me Muhammad in the morning, baby
Send me an angel in the morning, darling
[Ali Shaheed Muhammad]
Once the pen hits the pad it's danger
To this I be no stranger
Step inside the ring and I'll derange you (Come on)
I'm hearing no comments
Everyone looks dispondent
Dejected, rejected similiar to Liston
Catching lists
Beat it, sonny
My man is still the greatest in this
To hell with Frazier yappin' about that negative shit
Now listen, you can try and escape if you want to
But ask yourself, who the hell you gonna run to
Like Sade Abu you got a punch that I can sleep to
Fugees, Tribe, Busta Rhymes forever coming through
[Prazwell]
We sing Amazing Grace over two dollar plate
One roll snake eyes like Jake The Snake
Many lies put up for stakes
Wash our sins at the Great Lakes
You and I cannot see eye to eye
So therefore we cannot relate
I'm here when I make myself crystal clear
You fled to Cape Fear when I laced you in Zaire
Tussle with a lasso in the Royal Rumble
Seperate boys from men in the concrete jungle
[Busta Rhymes]
I remember when Cassius Clay flipped the script
Taking trips to Zimbabwe
Africans started calling the God Ali Bumbaye (so bwoy)
It be the God stricken, God nutrition, lightly stricken (ha)
Blow that make you feel like you was poison bitten
Ha yo I'm 'bout to blister you and your sister
Predicting every ass whipping before my fights my nigga
This be your last warning once you walk past the doorman
Ali and Foreman gonna lock ass until the morning
Marvellous finances provided by Joseph Mobutu
Special guests of honour like the Archbishop Desmond Tutu
We watched the Rumble In The Jungle
To see who be the targeted uncle to be the first to fall and fumble
Nuff blows they gettong thrown, like solid milestones
Internally shaking up niggas, imbalance your chromosones
With the force of a thousnad warriors
When I bust your ass identify me as the lord victorious
Blocks on fire (You're a star)
(Blocks on fire)
Fiends getting higher (You're a star)
Robbing blue collar (You're a star)
(Yeah rob them blue collars)
Killing for a dollar (You're a star)
Youths get tired (You're a star)
(Youths getting tired)
We're dealing with them liars (You're a star)
(We're dealing with too many liars)
From Brooklyn to Zaire (You're a star)
We need a ghetto Messiah
(Come on)
Root to the fruit
More bass than Bootsy Collins
You verses me
Thats like Ali verses Foreman (a-ha)
God's act, stand back and watch
Devil's time out
Can't be timed with no swatch watch
Who I am, the black Abraham
Zunga zunga zang, yellow man, Vietnam
Add an extra bar as I spar with literature
Taking kingdoms from tsars
Winning more wars than the Moors
[Forte]
Hey, what's the deal?
I seen the Devil spar with Allah
Mathematics was the key to set my whole race free
You might debate we, a refugee
No harm hurt me
Dying, thirsty from the struggle
To my own hustle bubble
On the low, woe is me
To show the Free Bob right
The righteous Asiatic thinker
While Satan rob light
Civilised like the Molly
Burgundy, wildy rocking
Seen the fifth when Ali clocked him
John Forte will keep you locked in
[Q-Tip]
People all around
You got to recognise and witness
The Mister who swift enough to knock you out with Mic fitness
Hands blistered from holding the mics tight
Some say it's fright night
Well throw the R after the F 'Cause I'm gonna take away your breath
The bell rings and now it's just a daily operation
Yo, you saw my lubrication
You can see this occupation (The winner)
Eh, you know we're from Q-Borough
L-Booie and Clef the trainers, Prazwell promote the throw
[Lauryn Hill]
We used to bite bullets with the pig-skin casing
Now we perfect slang like a gang of street masons (uh)
Scribe check make connects
True pyramid architects (yeah)
Replace the last name with the X (X)
The man's got a God complex
But take the text and change the picture
Watch Muhammad play the messenger like Holy Muslim scriptures
Take orders from only God
Only war when it's Jihad
See Ali appears in Zaire to reconnect 400 years
But we the people dark but equal give love to such things
To the man who made the fam' remember when we were kings
Blocks on fire (Block's on fire tonight)
Fiends getting higher (uh-huh)
Robbing blue collar
(Hey yo we rob them blue collars)
Killing for a dollar (Stick 'em up)
Youths get tired (Ali ah yeah)
We're dealing with them liars (Ali ah yeah)
(We're dealing with too many liars)
From Brooklyn to Zaire (uh-huh ah yeah)
We need a ghetto Messiah (ah yeah come on)
Send me an angel in the morning, baby
Send me an angel in the morning, darling
Send me Muhammad in the morning, baby
Send me an angel in the morning, darling
[Ali Shaheed Muhammad]
Once the pen hits the pad it's danger
To this I be no stranger
Step inside the ring and I'll derange you (Come on)
I'm hearing no comments
Everyone looks dispondent
Dejected, rejected similiar to Liston
Catching lists
Beat it, sonny
My man is still the greatest in this
To hell with Frazier yappin' about that negative shit
Now listen, you can try and escape if you want to
But ask yourself, who the hell you gonna run to
Like Sade Abu you got a punch that I can sleep to
Fugees, Tribe, Busta Rhymes forever coming through
[Prazwell]
We sing Amazing Grace over two dollar plate
One roll snake eyes like Jake The Snake
Many lies put up for stakes
Wash our sins at the Great Lakes
You and I cannot see eye to eye
So therefore we cannot relate
I'm here when I make myself crystal clear
You fled to Cape Fear when I laced you in Zaire
Tussle with a lasso in the Royal Rumble
Seperate boys from men in the concrete jungle
[Busta Rhymes]
I remember when Cassius Clay flipped the script
Taking trips to Zimbabwe
Africans started calling the God Ali Bumbaye (so bwoy)
It be the God stricken, God nutrition, lightly stricken (ha)
Blow that make you feel like you was poison bitten
Ha yo I'm 'bout to blister you and your sister
Predicting every ass whipping before my fights my nigga
This be your last warning once you walk past the doorman
Ali and Foreman gonna lock ass until the morning
Marvellous finances provided by Joseph Mobutu
Special guests of honour like the Archbishop Desmond Tutu
We watched the Rumble In The Jungle
To see who be the targeted uncle to be the first to fall and fumble
Nuff blows they gettong thrown, like solid milestones
Internally shaking up niggas, imbalance your chromosones
With the force of a thousnad warriors
When I bust your ass identify me as the lord victorious
Blocks on fire (You're a star)
(Blocks on fire)
Fiends getting higher (You're a star)
Robbing blue collar (You're a star)
(Yeah rob them blue collars)
Killing for a dollar (You're a star)
Youths get tired (You're a star)
(Youths getting tired)
We're dealing with them liars (You're a star)
(We're dealing with too many liars)
From Brooklyn to Zaire (You're a star)
We need a ghetto Messiah
Lyrics submitted by ruben
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Fast Car
Tracy Chapman
Tracy Chapman
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Cajun Girl
Little Feat
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.