This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
She grew up in an Indiana town
Had a good lookin' mama who never was around
But she grew up tall and she grew up right
With them Indiana boys on an Indiana night
Well, she moved down here at the age of eighteen
She blew the boys away, it was more than they'd seen
I was introduced and we both started groovin'
She said, "I dig you, baby, but I got to keep movin' on, keep movin' on"
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin' in and I'm tired of this town again
Well, I don't know but I've been told
You never slow down, you never grow old
I'm tired of screwing up, tired of goin' down
Tired of myself, tired of this town
Oh, my, my, oh, hell yes
Honey, put on that party dress
Buy me a drink, sing me a song
Take me as I come 'cause I can't stay long
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin' in and I'm tired of this town again
There's pigeons down on Market Square
She's standin' in her underwear
Lookin' down from a hotel room
The nightfall will be comin' soon
Oh, my, my, oh, hell yes
You've got to put on that party dress
It was too cold to cry when I woke up alone
I hit the last number, I walked to the road
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin' in and I'm tired of this town again
Had a good lookin' mama who never was around
But she grew up tall and she grew up right
With them Indiana boys on an Indiana night
Well, she moved down here at the age of eighteen
She blew the boys away, it was more than they'd seen
I was introduced and we both started groovin'
She said, "I dig you, baby, but I got to keep movin' on, keep movin' on"
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin' in and I'm tired of this town again
Well, I don't know but I've been told
You never slow down, you never grow old
I'm tired of screwing up, tired of goin' down
Tired of myself, tired of this town
Oh, my, my, oh, hell yes
Honey, put on that party dress
Buy me a drink, sing me a song
Take me as I come 'cause I can't stay long
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin' in and I'm tired of this town again
There's pigeons down on Market Square
She's standin' in her underwear
Lookin' down from a hotel room
The nightfall will be comin' soon
Oh, my, my, oh, hell yes
You've got to put on that party dress
It was too cold to cry when I woke up alone
I hit the last number, I walked to the road
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin' in and I'm tired of this town again
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Hayalperest
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Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
American Town
Ed Sheeran
Ed Sheeran
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Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
the music video for this song has Tom dancing with a dead Kim Bassinger. He apparently is an undertaker and steals her from the morgue, dresses her up and has a dinner party with her. They dance (or he just carries around a corpse) and then he dumps her in the ocean. Take what you will from that, but my theory is that Mary Jane jumps from the hotel balcony while Tom is asleep, when he wakes, she is dead.....