In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
I don't really need to see
So I don't need to see so I'll paint...
I don't know, I'll paint it black
I don't need to see
I don't see how you see out of your window
Well I don't need to see, I'll paint mine black
I don't need to see
I don't see how you see out of your windows
I don't need to see, I'll paint mine black
I don't know me and, you don't know you
So we, fit so good together
'Cause I knew you like I knew myself
We clung on like
Barnacles on a boat
Even though the ship sinks you know you can't let go
I was talking like, two hands knocking
Yelling, "Let me in. Let me in. Please come out!"
Black glass, dirt-based soap
Tell yourself, what you know
My friends, oh my friends
Bury your head, I'll help you bury your hands
Hard hit, hard to miss
The problems are, what a problem is
My light came off quick, call it your asterisk
It's buried in a boys in a boys first book of the stars
Saw it, a satellite, constant unblinking as
Buried at the bottom of the bottom of a brackish lake
I don't really need to see
So I don't need to see so I'll paint...
I don't know, I'll paint it black
I don't need to see
I don't see how you see out of your window
But I don't need to see, I'll paint mine black
I don't need to see
I don't see how you see out of your windows
I don't need to see, I'll paint mine black
So I don't need to see so I'll paint...
I don't know, I'll paint it black
I don't need to see
I don't see how you see out of your window
Well I don't need to see, I'll paint mine black
I don't need to see
I don't see how you see out of your windows
I don't need to see, I'll paint mine black
I don't know me and, you don't know you
So we, fit so good together
'Cause I knew you like I knew myself
We clung on like
Barnacles on a boat
Even though the ship sinks you know you can't let go
I was talking like, two hands knocking
Yelling, "Let me in. Let me in. Please come out!"
Black glass, dirt-based soap
Tell yourself, what you know
My friends, oh my friends
Bury your head, I'll help you bury your hands
Hard hit, hard to miss
The problems are, what a problem is
My light came off quick, call it your asterisk
It's buried in a boys in a boys first book of the stars
Saw it, a satellite, constant unblinking as
Buried at the bottom of the bottom of a brackish lake
I don't really need to see
So I don't need to see so I'll paint...
I don't know, I'll paint it black
I don't need to see
I don't see how you see out of your window
But I don't need to see, I'll paint mine black
I don't need to see
I don't see how you see out of your windows
I don't need to see, I'll paint mine black
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Standing On The Edge Of Summer
Thursday
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Fast Car
Tracy Chapman
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
Although this song is actually by Ugly Casanova, like ModestM said, I'll gladly share what I believe to be the meaning of this song. I feel like it's a huge contridiction. Even at the start-I don't need to see, I don't see how you see out of your window. I don't need to see, I'll paint mine black. There's obviously been some severed ties here, and he wants things back as they were, but at the same time he doesn't. And he knows they can't ever be. This contridiction is especially apparent during the bridge when he says "Black glass (you can't see out of black glass) dirt based soap (don't we wash dirt off with soap? what's the use in washing with soap that's dirt based) tell yourself what you know (tell yourself what you already know!?) problems are what a problem is. And it's true. It's a realization of detachment and useless attempts in resolving.