Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Just throw it back, for one more night
On a starlit and moon-struck night.
The ground did fold and eat us both
But all my love, I did devote.
Beneath the rafters the angels sing
Spinning violence and playing with my heart.
The song I wrote, it was for you.
To live inside of me, I'm dying inside you. [x2]
Lost inside another crash
The bones I had, turned into ash.
The world did cry, the night you died
And I am no good at suicide.
Beneath the rafters the angels sing
Spinning violence and playing with my heart.
The song I wrote, it was for you.
To live inside of me, I'm dying inside you. [x2]
But I lost what was mine, and I want what was mine. [x2]
My heart now it always breaks, the blood did drip and I take, another wish, another kiss, no more will for me to kill.
We'd run away in our dismay, but please, come back to me.
Just throw it back, for one more night
On a starlit and moon-struck night.
The ground did fold and eat us both
But all my love, I did devote.
The song I wrote, it was for you.
TTTTTTo live inside of me, I'm dying inside you. [x2]
On a starlit and moon-struck night.
The ground did fold and eat us both
But all my love, I did devote.
Beneath the rafters the angels sing
Spinning violence and playing with my heart.
The song I wrote, it was for you.
To live inside of me, I'm dying inside you. [x2]
Lost inside another crash
The bones I had, turned into ash.
The world did cry, the night you died
And I am no good at suicide.
Beneath the rafters the angels sing
Spinning violence and playing with my heart.
The song I wrote, it was for you.
To live inside of me, I'm dying inside you. [x2]
But I lost what was mine, and I want what was mine. [x2]
My heart now it always breaks, the blood did drip and I take, another wish, another kiss, no more will for me to kill.
We'd run away in our dismay, but please, come back to me.
Just throw it back, for one more night
On a starlit and moon-struck night.
The ground did fold and eat us both
But all my love, I did devote.
The song I wrote, it was for you.
TTTTTTo live inside of me, I'm dying inside you. [x2]
Lyrics submitted by SoBrokenHearted
The Ground Folds Lyrics as written by David Michael Miller Daniel Gerard Trapp
Lyrics © Songtrust Ave
Lyrics powered by LyricFind
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Great version of a great song,
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This song reminds me of Hamlet... just the talk about suicide is like the "to be or not to be" speech. I suppose that's what makes me relate this song to Hamlet.
this reminds me of Romeo and Juliet
This reminds me of tons of stuff, like a fucking good song should.
Dude if you dont like the music keep it to yourself. As thrice would say "Something are better left unsaid, you know what to say, somethings are better left unsaid". If you really hate the lyrics make a hate sight or somtin if you wanna discuss it. This is a great song.
kazbonaut is just a little biotch, this is a great song with great lyrics
The "And I am no good at suicide" line does remind me of Hamlet, particularly the "what dreams may come" line, which could be reinforced by the title of the EP, "From the Depths of Dreams."
"For me to kill, and no more will. We'd runaway, and save dismay. Please come back, I'd die with you." Should be "And no more will for me to kill. We'd runaway, and save dismay, Please come back to me, I'd die with you." yea really really good song you should check out the acoustic version too
the acoustic version is the best thing in the world. i cry when i hear it.
if you listen to the ground folds and 187 back and forth you will realize that the guitar lines in the bgegiing of each song are almost exactly the same. i think they need some more originality, i mean come on. you have only realeased 8 songs and you cant thnik up a different guitar line. this could be a bad sign.
Oh wow guy.<br /> You must not play guitar at all hmm?<br /> They are NOTHING like each other, whole different key actually.<br /> You might wanna check your theory before posting that again.
Before being condescending towards someone else, you might want to check your theory yourself. <br /> <br /> Just because two melodic lines are in different keys doesn't mean that they can not be similar. When you transpose something, you change the key, but most people can still recognize the song, can they not? This is because the intervalic integrity of the melody is maintained. So different keys, same intervals = similar sounding songs.
i'm with etaklaiceps...the acoustic version rocks. and yeah, the guitar lines from "the ground folds" and "one eight seven" are incredibly similar. originality is good, but i think that their lyrics make up for it. plus...they OWN live. they're great.